“Too late!--fool that I was--too late!” cried Zicci, in a sharp tone of
agony as he hurried to the outer door. He opened it, only to be borne
back by the press of armed men.
Behind, before, escape was cut off. The room literally swarmed with the
followers of the ravisher, masked, mailed, armed to the teeth.
Isabel was already in the grasp of two of the myrmidons; her shriek
smote the ear of Zicci. He sprang forward, and Isabel heard his wild
cry in a foreign tongue,--the gleam, the clash of swords. She lost
her senses; and when she recovered, she found herself gagged, and in a
carriage that was driven rapidly, by the side of a masked and motionless
figure. The carriage stopped at the portals of a gloomy mansion.
The gates opened noiselessly, a broad flight of steps, brilliantly
illumined, was before her,--she was in the palace of the Prince di--.
CHAPTER XIV.
The young actress was led to and left alone in a chamber adorned with
all the luxurious and half-Eastern taste that at one time characterized
the palaces of the great seigneurs of Italy. Her first thought was for
Zicci,--was he yet living? Had he escaped unscathed the blades of the
foe,--her new treasure, the new light of her life, her lord, at last her
lover?
She had short time for reflection. She heard steps approaching the
chamber; she drew back. She placed her hand on the dagger that at all
hours she wore concealed in her bosom. Living or dead, she would be
faithful still to Zicci There was a new motive to the preservation of
honor. The door opened, and the Prince entered, in a dress that sparkled
with jewels.
“Fair and cruel one,” said he, advancing, with a half-sneer upon
his lip, “thou wilt not too harshly blame the violence of love.” He
attempted to take her hand as he spoke.
“Nay,” said he, as she recoiled, “reflect that thou art now in the power
of one that never faltered in the pursuit of an object less dear to him
than thou art. Thy lover, presumptuous though he be, is not by to save
thee. Mine thou art; but instead of thy master, suffer me to be thy
slave.”
“My lord,” said Isabel, with a stern gravity which perhaps the Stage had
conspired with Nature, to bestow upon her, “your boast is in vain. Your
power,--I am not in your power! Life and death are in my own hands. I
will not defy, but I do not fear you. I feel--and in some feelings,”
added Isabel, with a solemnity almost thrilling, “there is all the
strength and all the divinity of knowledge--I feel that I am safe even
here; but you, you, Prince di--, have brought danger to your home and
hearth!”
Public-domain text, read in full here on John Shaqi.
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