"We will try if his magic can invent an antidote to the bane," said he,
half aloud and with a gloomy smile, as he summoned Mascari to his
presence. The poison which the Prince, with his own hands, mixed into
the wine intended for his guest was compounded from materials the secret
of which had been one of the proudest heir-looms of that able and evil
race which gave to Italy her wisest and fellest tyrants. Its operation
was quick, not sudden; it produced no pain, it left on the form no grim
convulsion, on the skin no purpling spot, to arouse suspicion; you might
have cut and carved every membrane and fibre of the corpse, but the
sharpest eyes of the leech would not have detected the presence of the
subtle life-queller. For twelve hours the victim felt nothing, save a
joyous and elated exhilaration of the blood; a delicious languor
followed,--the sure forerunner of apoplexy. No lancet then could save!
Apoplexy had run much in the families of the enemies of the Visconti!
The hour of the feast arrived, the guests assembled. There were the
flower of the Neapolitan seigneurie,--the descendants of the Norman, the
Teuton, the Goth; for Naples had then a nobility, but derived it from
the North, which has indeed been the Nutrix Leonum, the nurse of the
lion-hearted chivalry of the world.
Last of the guests came Zicci, and the crowd gave way as the dazzling
foreigner moved along to the lord of the palace. The Prince greeted him
with a meaning smile, to which Zicci answered by a whisper: "He who
plays with loaded dice does not always win."
The Prince bit his lip; and Zicci, passing on, seemed deep in
conversation with the fawning Mascari.
"Who is the Prince's heir?" asked the Corsican.
"A distant relation on the mother's side; with his Excellency dies the
male line."
"Is the heir present at our host's banquet?"
"No; they are not friends."
"No matter; he will be here to-morrow!"
Mascari stared in surprise; but the signal for the banquet was given,
and the guests were marshalled to the board. As was the custom, the
feast took place at midday. It was a long oval hall, the whole of one
side opening by a marble colonnade upon a court or garden, in which the
eye rested gratefully upon cool fountains and statues of whitest marble,
half sheltered by orange-trees. Every art that luxury could invent to
give freshness and coolness to the languid and breezeless heat of the
day without (a day on which the breath of the sirocco was abroad) had
been called into existence. Artificial currents of air through
invisible tubes, silken blinds waving to and fro as if to cheat the
senses into the belief of an April wind, and miniature jets d'eau in
each corner of the apartment gave to the Italians the same sense of
exhilaration and comfort (if I may use the word) which the well-drawn
curtains and the blazing hearth afford to the children of colder climes.
Public-domain text, read in full here on John Shaqi.
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