seated at the threshold, some lying at full length in the mud--presented
groups that at once invoked pity and aroused alarm; pity for their
squalor,--alarm for the ferocity imprinted on their savage aspects.
They gazed at him, grim and sullen, as he rode slowly up the rugged
street; sometimes whispering significantly to each other, but without
attempting to stop his way. Even the children hushed their babble, and
ragged urchins, devouring him with sparkling eyes, muttered to their
mothers, "We shall feast well to-morrow!" It was, indeed, one of those
hamlets in which Law sets not its sober step, in which Violence and
Murder house secure,--hamlets common then in the wilder parts of Italy,
in which the peasant was but the gentler name for the robber.
Glyndon's heart somewhat failed him as he looked around, and the
question he desired to ask died upon his lips. At length, from one of
the dismal cabins emerged a form superior to the rest. Instead of the
patched and ragged overall which made the only garment of the men he had
hitherto seen, the dress of this person was characterized by all the
trappings of Calabrian bravery. Upon his raven hair, the glossy curls
of which made a notable contrast to the matted and elfin locks of the
savages around, was placed a cloth cap with a gold tassel that hung down
to his shoulder; his mustaches were trimmed with care, and a silk
kerchief of gay lines was twisted round a well-shaped but sinewy throat;
a short jacket of rough cloth was decorated with several rows of gilt
filagree buttons; his nether garments fitted tight to his limbs, and
were curiously braided; while in a broad, party-colored sash were placed
four silver-hilted pistols; and the sheathed knife, usually worn by
Italians of the lower order, was mounted in ivory elaborately carved. A
small carbine of handsome workmanship was slung across his shoulder, and
completed his costume. The man himself was of middle size, athletic,
yet slender; with straight and regular features,--sunburnt, but not
swarthy; and an expression of countenance which, though reckless and
bold, had in it frankness rather than ferocity, and, if defying, was not
altogether unprepossessing.
Glyndon, after eyeing this figure for some moments with great attention,
checked his rein, and asked in the provincial patois, with which he was
tolerably familiar, the way to the "Castle of the Mountain."
Public-domain text, read in full here on John Shaqi.
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