gray and mouldering walls of the castle in which he sought the secrets that were to give to hope in the Future a mightier empire than memory owns in the Past. It was one of those baronial fortresses with which Italy was studded in the earlier middle ages, having but little of the Gothic grace of grandeur which belongs to the ecclesiastical architecture of the same time; but rude, vast, and menacing even in decay. A wooden bridge was thrown over the chasm, wide enough to admit two horsemen abreast; and the planks trembled and gave back a hollow sound as Glyndon urged his jaded steed across. A road that had once been broad, and paved with rough flags, but which now was half obliterated by long grass and rank weeds, conducted to the outer court of the castle hard by; the gates were open, and half the building in this part was dismantled, the ruins partially hid by ivy that was the growth of centuries. But on entering the inner court, Glyndon was not sorry to notice that there was less appearance of neglect and decay: some wild roses gave a smile to the gray walls; and in the centre there was a fountain, in which the waters still trickled coolly, and with a pleasing murmur, from the jaws of a gigantic triton. Here he was met by Mejnour with a smile. "Welcome, my friend and pupil," said he; "he who seeks for Truth can find in these solitudes an immortal Academe." CHAPTER. II. The attendants which Mejnour had engaged for his strange abode were such as might suit a philosopher of few wants. An old Armenian, whom Glyndon recognized as in the mystic's service at Naples; a tall, hard-featured woman from the village, recommended by Maestro Paulo; and two long- haired, smooth-spoken, but fierce-visaged youths, from the same place, and honored by the same sponsorship,--constituted the establishment. The rooms used by the sage were commodious and weather-proof, with some remains of ancient splendor in the faded arras that clothed the walls and the huge tables of costly marble and elaborate carving. Glyndon's sleeping apartment communicated with a kind of belvidere or terrace that commanded prospects of unrivalled beauty and extent, and was separated, on the other side, by a long gallery and a flight of ten or a dozen stairs, from the private chambers of the mystic. There was about the whole place a sombre, and yet not displeasing, depth of repose. It suited well with the studies to which it was now to be appropriated. For several days Mejnour refused to confer with Glyndon on the subjects nearest to his heart. "All without," said he, "is prepared, but not all within. Your own soul must grow accustomed to the spot, and filled with the surrounding Nature; for Nature is the source of all inspiration."