"Why, the beautiful actress,--the wonder of Naples! I always thought
she would have good luck."
"Well, well, what of her?"
"The Prince di-- has taken a prodigious fancy to her, and has carried
her to his own palace. The Court is a little scandalized."
"The villain! by force?"
"Force! Ha! ha! my dear signor, what need of force to persuade an
actress to accept the splendid protection of one of the wealthiest
noblemen in Italy? Oh, no! you may be sure she went willingly enough.
I only just heard the news: the prince himself proclaimed his triumph
this morning, and the accommodating Mascari has been permitted to
circulate it. I hope the connection will not last long, or we shall
lose our best singer. Addio!"
Glyndon stood mute and motionless. He knew not what to think, to
believe, or how to act. Even Merton was not at hand to advise him. His
conscience smote him bitterly; and half in despair, half in the
courageous wrath of jealousy, he resolved to repair to the palace of the
prince himself, and demand his captive in the face of his assembled
guests.
CHAPTER XIII.
We must go back to the preceding night. The actress and her nurse had
returned from the theatre; and Isabel, fatigued and exhausted, had
thrown herself on a sofa, while Gionetta busied herself with the long
tresses which, released from the fillet that bound them, half concealed
the form of the actress, like a veil of threads of gold; and while she
smoothed the luxuriant locks, the old nurse ran gossiping on about the
little events of the night,--the scandal and politics of the scenes and
the tire-room.
The clock sounded the hour of midnight, and still Isabel detained the
nurse; for a vague and foreboding fear, she could not account for, made
her seek to protract the time of solitude and rest.
At length Gionetta's voice was swallowed up in successive yawns. She
took her lamp and departed to her own room, which was placed in the
upper story of the house. Isabel was alone. The half-hour after
midnight sounded dull and distant, all was still, and she was about to
enter her sleeping-room, when she heard the hoofs of a horse at full
speed. The sound ceased; there was a knock at the door. Her heart beat
violently; but fear gave way to another sentiment when she heard a
voice, too well known, calling on her name. She went to the door.
"Open, Isabel,--it is Zicci," said the voice again.
And why did the actress feel fear no more, and why did that virgin hand
unbar the door to admit, without a scruple or, a doubt, at that late
hour, the visit of the fairest cavalier of Naples? I know not; but
Zicci had become her destiny, and she obeyed the voice of her preserver
as if it were the command of Fate.
Zicci entered with a light and hasty step. His horseman's
cloak fitted tightly to his noble form, and the raven plumes of his
broad hat threw a gloomy shade over his commanding features.
Public-domain text, read in full here on John Shaqi.
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