THE FOLK-LORE SOCIETY’S QUEER STORIES.
The Folk-Lore Society which became a part of the Village Improvement
Society in West Roxbury, used to have Story-Telling Nights, and on
these occasions elderly people were invited to attend and relate old
village stories. The Folk-Lore story is a very interesting department
of Folk-Lore; and of all places in America, the towns that follow
the windings of the Charles River, are rich in quaint old tales. The
Brook Farm-House, now the German Orphan Asylum, sent into the world
a coterie of magic story-tellers. The old houses around the Dedham
Woods all have their legends. West Roxbury and the Newtons are haunted
places.
Among the popular subjects of this antique story-telling, are “The
Old New England Ghost Story,” and “Funny Tales of Old Independence
Days.”
There were several of these stories that were particularly popular.
One of them was the reading of that masterpiece of old wonder-books,
known as “The Devil and Tom Walker,” a warning to usurers,
speculators, and all over-reaching people.
[Illustration: GOVERNMENT BUILDING.]
Stories of “Lord Timothy Dexter” and old New England Ghost Stories
were among the interesting narratives that had entertained the
society. We give two of these,—BLINGO THE BLACKSMITH, OR LORD
TIMOTHY DEXTER’S POET and THE DARBY RING.
[Illustration: THE AGRICULTURAL BUILDING.]
BLINGO, THE BLACKSMITH.
Tommy Topp sat sunning himself in the wide open door of Blingo’s
blacksmith shop, when a cloud of dust appeared in the highway; a
chariot presently broke into view from the dusty cloud, and four
black horses stopped under the golden elms that shaded a rustic
watering-trough near the rural smithy.
This was a strange event. People did not ride in “chariots” in
Massachusetts during the last century, as a rule, and never in a
chariot like this.
[Illustration: MACMONNIES (COLUMBIAN) FOUNTAIN.]
The vehicle was not of the classic Roman pattern, such as swept
under the triumphal arches in the purple days of the emperors; nor,
indeed, a state coach like the disjointed affairs of the days of
good Queen Anne. But it was as lively and picturesque in color as a
band carriage of to-day, and it was ornamented with a very curious
coat-of-arms, the design of which was mysterious, and probably was
intended to be so.
Tommy Topp started up with eyes wide with wonder. Blingo dropped an
iron whiffle-tree that he was making, and ran to the door, shading
his eyes with his sooty hand.
[Illustration: THE PERISTYLE.]
The horses having drank at the watering-trough, the liveried
coachman, or charioteer, drove them toward the door, exclaiming,
“Whoa!” in an imperial tone, as a footman alighted, in a glory of
shining buttons.
Public-domain text, read in full here on John Shaqi.
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