Zina: the Slave Girl; or, Which the Traitor?: A Drama in Four ActsThompson, A. (Augustin)
General
Zina: the Slave Girl; or, Which the Traitor?: A Drama in Four Acts
Thompson, A. (Augustin)
Slavery -- United States -- Drama
HALCOM. What have you found?
HEZEKIAH. Guess them critters have gone a fishin’. Hain’t had a houter
of a pop for half an hour, except one, as I hope ter holler. (_Halcom
discovers Zina._)
HALCOM. What is this, Hezekiah?
HEZEKIAH. Wall, I’ll be darned if ye hain’t got me. Do ye s’pose they
lay out round here nights?
HALCOM. (_Looking closely._) She sleeps. (_Tries to wake her and
fails._) She is unconscious. (_Turns her face towards himself, starts._)
HEZEKIAH. Hain’t she handsome?
HALCOM. She is indeed beautiful! The child is sick, and perhaps
starving. Give me your canteen. (_Bathes her face._) Call some of the
pickets. (_Bathes still. Hez. goes out L. U. E., and soon returns with
Barney and a stretcher._)
BARNEY. Indade now. Do thim blackguards murder beautiful little girruls
like that?
HALCOM. The child is seriously sick. Take her to my surgeon, and say it
is my desire that every effort shall be made in her behalf. Handle her
carefully. (_Hez. and Bar. put her on the stretcher, raise her tenderly,
and bear her out at L. U. E._) Poor child! She is the victim of
brutality, or the hardships of the front have nearly killed her.
(_Hesitates._) So much like my mother’s face! (_Bows head. Enter Sherman
R. U. E., in heavy military cloak._)
SHERMAN. Well, Halcom, have the blues got you again? (_Darken stage
gradually._)
HALCOM. General, you must not remain here! We are within rifle range of
the enemy’s pickets. It is exceedingly dangerous.
SHERMAN. It is growing too dark for sharpshooters to operate.
HALCOM. The country cannot afford to have you exposed.
SHERMAN. Pray, why not?
HALCOM. We are engaged in a desperate march to the sea. The army is too
far from its base to exist without a competent leader. If you should
fall, what next?
SHERMAN. Half my men, sir, are fit to command.
HALCOM. General, you are too sanguine of the capabilities of others. I
repeat again, you _must_ be careful. The safety of the army demands it.
SHERMAN. Halcom, you are too anxious for the safety of every one but
yourself. The army has a common impression that you are the most daring,
reckless officer at the front.
HALCOM. It matters but little if I fall.
SHERMAN. Why, my dear sir, your life—
HALCOM. Is worth nothing for myself. If it please heaven that I live to
see a full and earnest liberty here, with all the stars of the old flag
still lingering there, it matters little what becomes of me.
SHERMAN. Halcom, I never see you smile! There is some terrible
misfortune hidden behind your sad, melancholy face, you have never yet
revealed. Desperate; rash; impetuous; you have won your double stars at
twenty-eight. A brilliant military dash that thrills the army; and you
fell back so quietly to the seclusion of your quarters, and never seem
to hope or look for reward. But for this, your life has been a blank to
me.
HALCOM. There is nothing in the history of my family I could wish to
conceal.
Public-domain text, read in full here on John Shaqi.
Zina: the Slave Girl; or, Which the Traitor?: A Drama in Four Acts — John Shaqi
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account