Zina: the Slave Girl; or, Which the Traitor?: A Drama in Four ActsThompson, A. (Augustin)
General
Zina: the Slave Girl; or, Which the Traitor?: A Drama in Four Acts
Thompson, A. (Augustin)
Slavery -- United States -- Drama
HALCOM. Keele Brightly, your last hour is close at hand. I have not
intruded myself to torture you with recriminations. I yield my right to
the law of military necessity. I come because I have been moved to pity
by that heart-broken child lying at the outer guard, begging so
piteously to see the last man she ought to love or respect. I have at
last obtained permission for her to see you, immediately preceding your
execution. I have come to ask you to forget the brute, and give her one
kind word before you die. All night long and yesterday, through the rain
and cold, shelterless, and refusing food, she sat by the door, waiting
for your coming. Her piteous pleadings for your worthless life, when the
General returned from the front, would have melted a heart of stone. How
have you repaid her life of devotion? She has never known father or
mother. A generous heart must love something! Within an hour she will be
out in the world, worse than an orphan. Who is she? She was not born a
slave. You sought a groundless revenge. Are you not satisfied? My
mother’s face lives in hers! (_Breaks down._) If any one of my family
live—looking God in the face—speak! Have you nothing to say?
BRIGHTLY. Nothing!
HALCOM. May God have mercy on you who never had any, when it was so easy
to give. (_Exit Halcom, R, looking back twice, as if expecting B. to
relent._)
BARNEY. (_To Brightly._) Did you mind that talkin’? (_B. silent._) Hey?
Jist one hour, says the Gineral, and you will be an orfin. If you make
yourself a dam fool like that, you may be two orfins! (_Zina dashes in
at R. U. E._)
ZINA. Master D’Arneaux! (_Drops on her knee._)
BRIGHTLY. (_Turned away._) Sh—do not recognize me. (_Giving his hand
behind, as Barney paces to R._) Are there any means of escape?
ZINA. (_Shying key into Brightly’s hands._) This will unfasten your
irons. I have removed the outer fastening on the window. It will open at
your touch. When the back of the guard is turned, unlock your irons. The
river runs close by. You are safe if you reach the other side. When I
seize the guard, spring through the window and make for the river. (_B.
drops on his knees as if in meditation. Zina kneels and leans her head
on his shoulder. As Barney turns to R, she springs on his back like a
tiger, locking her arm across his throat, strangles him. Meantime she
and Barney speak simultaneously. Brightly unlocks fetters._)
BARNEY. Lave hold er there, ye whilp! Lave go, or by me mother—
ZINA. The river! The river! (_Barney and Zina struggle, while Brightly
is unfastening his fetters. During the struggle, Barney’s gun goes off,
as Brightly disappears through the window. When the gun goes off, and
Zina sees Brightly clear, she falls on her face sobbing, and Barney
dashes out L. U. E., in pursuit. Curtain._)
ACT III.
SCENE 1. _Landscape or wood back._ (_Enter Barney, L. U. E., peering
cautiously._)
Public-domain text, read in full here on John Shaqi.
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