“How delightful that would be!” she sighed. “So romantic and
solemn--all those dear old cities with those marvellous figures of the
Egyptians carved and painted on the stones! And Rameses--dear Rameses!
He really has good legs everywhere! Haven’t you noticed that? So many
of these ancient sculptures represent the Egyptians with such angular
bodies and such frightfully thin legs, but Rameses always has good
legs wherever you find him. It’s so refreshing! _Do_ make up a party,
Dr. Dean!--we’ll all go with you; and I’m sure the Princess Ziska will
be the most charming companion possible. Let us have a dahabeah! I’m
good for half the expenses, if you will only arrange everything.”
The Doctor stroked his chin and looked dubious, but he was evidently
attracted by the idea.
“I’ll see about it,” he said at last. “Meanwhile I’ll go and have a
hunt for some traces of Amenhotep and Araxes.”
He strolled down the terrace, and Lady Chetwynd Lyle, turning her back
on “old” Lady Fulkeward, went after her “girls,” while the fascinating
Fulkeward herself continued to recline comfortably in her chair, and
presently smiled a welcome on a youngish-looking man with a fair
moustache who came forward and sat down beside her, talking to her in
low, tender and confidential tones. He was the very impecunious
colonel of one of the regiments then stationed in Cairo, and as he
never wasted time on sentiment, he had been lately thinking that a
marriage with a widowed peeress who had twenty thousand pounds a year
in her own right might not be a “half bad” arrangement for him. So he
determined to do the agreeable, and as he was a perfect adept in the
art of making love without feeling it, he got on very well, and his
prospects brightened steadily hour by hour.
Meanwhile young Fulkeward was escorting Armand Gervase through several
narrow by-streets, talking to him as well as he knew how and trying in
his feeble way to “draw him out,” in which task he met with but
indifferent success.
“It must be awfully jolly and--er--all that sort of thing to be so
famous,” he observed, glancing up at the strong, dark, brooding face
above him. “They had a picture of yours over in London once; I went to
see it with my mother. It was called ‘_Le Poignard_,’ do you remember
it?”
Gervase shrugged his shoulders carelessly.
“Yes, I remember. A poor thing at its best. It was a woman with a
dagger in her hand.”
“Yes, awfully fine, don’cher know! She was a very dark woman--too dark
for my taste,--and she’d got a poignard clasped in her right hand. Of
course, she was going to murder somebody with it; that was plain
enough. You meant it so, didn’t you?”
“I suppose I did.”
“She was in a sort of Eastern get-up,” pursued Fulkeward, “one of your
former studies in Egypt, perhaps.”
Gervase started, and passed his hand across his forehead with a
bewildered air.
“No, no! Not a former study, by any means. How could it be? This is my
first visit to Egypt. I have never been here before.”
Public-domain text, read in full here on John Shaqi.
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