meaning than the eyes of Ziska as she listened attentively to the
on-coming footsteps through the outside corridor which told her that
Gervase was near.
“At last!” she whispered, “at last!”
The next moment the Nubian flung the door wide open and announced
“Monsieur Armand Gervase!”
She advanced with all the wonderful grace which distinguished her,
holding out both her slim, soft hands. Gervase caught them in his own
and kissed them fervently, whereupon the Nubian retired, closing the
door after him.
“You are very welcome, Monsieur Gervase,” said the Princess then,
speaking with a measured slowness that was attractive as well as
soothing to the ear. “You have left all the dear English people well
at the Gezireh Palace? Lady Fulkeward was not too tired after her
exertions at the ball? And you?”
But Gervase was gazing at her in a speechless confusion of mind too
great for words. A sudden, inexplicable emotion took possession of
him,--an emotion to which he could give no name, but which stupefied
him and held him mute. Was it her beauty which so dazzled his senses?
Was it some subtle perfume in the room that awoke a dim haunting
memory? Or what was it that seemed so strangely familiar? He struggled
with himself, and finally spoke out his thought:
“I have seen you before, Princess; I am quite sure I have! I thought I
had last night; but to-day I am positive about it. Strange, isn’t it?
I wonder where we really met?”
Her dark eyes rested on him fully.
“I wonder!” she echoed, smiling. “The world is so small, and so many
people nowadays make the ‘grand tour,’ that it is not at all
surprising we should have passed each other _en route_ through our
journey of life.”
Gervase still hesitated, glancing about him with a singularly
embarrassed air, while she continued to watch him intently. Presently
his sensations, whatever they were, passed off, and gradually
recovering his equanimity, he became aware that he was quite alone
with one of the most fascinating women he had ever seen. His eyes
flashed, and he smiled.
“I have come to paint your picture,” he said softly. “Shall I begin?”
She had seated herself on a silken divan, and her head rested against
a pile of richly-embroidered cushions. Without waiting for her answer,
he threw himself down beside her and caught her hand in his.
“Shall I paint your picture?” he whispered. “Or shall I make love to
you?”
She laughed,--the sweet, low laugh that somehow chilled his blood
while it charmed his hearing.
“Whichever you please,” she answered. “Both performances would no
doubt be works of art!”
“What do you mean?”
“Can you not understand? If you paint my picture it will be a work of
art. If you make love to me it will equally be a work of art: that is,
a composed thing--an elaborate study.”
“Bah! Love is not a composed thing,” said Gervase, leaning closer to
her. “It is wild, and full of libertinage as the sea.”
Public-domain text, read in full here on John Shaqi.
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