Paris (France) -- Social life and customs -- Fiction; Short stories, American
Prime feature of all the year to the little Hamiltons, on the entresol,
was their Christmas tree. It arrived in some unknowable way in the
corner of the grand salon on the morning after Christmas, and, from the
moment of its advent, the doors were sealed, and only the privileged
world of grown-ups went in and out, and could see the splendors within.
Inch by inch the hands of the tall clock in the antichambre dragged
themselves around successive circles toward the hour of revelation, and,
keyed to the snapping point of frenzy, the slender figure of George and
the round, squat form of John stood motionless before the inexorable
timepiece, awaiting the stroke of four. This suspense was harrowing
enough in itself, and only made bearable by recourse to occasional mad
caperings up and down the hall, and whoops of mingled ecstasy and
exasperation. What was worse was the delay in the arrival of their
guests. Later, the latter would be an indispensable part of the
festivities: just now they were mere impediments in the path of bliss.
Even the grown-ups were more considerate, and came on time. Well they
might, since they were granted immediate admission to the enchanted
room, and came out with maddening accounts of what was to be seen
therein. They sat about the small salon, and talked the stupid things of
which they were so fond of talking,--Hamilton, tall, straight, and with
an amused twinkle in his eyes, while he watched his wife vainly
endeavoring to calm her sons as they foamed and pranced at the sealed
doors; Miss Kedgwick, who wrote books, and invited boys to tea; Monsieur
de Bercy, who was odd because he spoke no English, but who cut heads out
of nuts and apples, and drew droll pictures on scraps of paper; Miss
Lys, who played the piano for "Going to Jerusalem;" and Mr. Sedgely, who
talked very low in her ear, and said the great trouble with "Going to
Jerusalem" was that the players couldn't go there in good
earnest--whatever that might mean.
But would the doors _never_ open?
The children arrived by twos and threes, shook hands limply with their
elders, greeted their small hosts with embarrassed ceremony, and then,
as if suddenly inoculated with the latter's madness, commenced to foam
and prance in their turn before the unyielding portals. Last of all came
Pépin, all brown, who bowed at the door, and then in turn to each of
those who spoke to him.
Suddenly, with a shout, the children burst through the opened doorway,
and gathered in voluble groups about the glistening miracle which shone
like a hundred stars in the gathering twilight. For a half hour all was
chaos, and Pépin, standing a little apart, marveled and was still.
Dancing figures whirled about him, bearing boxes of soldiers, toy
villages, dolls, trumpets, drums. The air was full of the wailing of
whistles, the cries of mechanical animals, and the clamor of childish
comment.
Public-domain text, read in full here on John Shaqi.
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