The women by the end of the speech have learnt their parts, and with one last instruction to thrust their elbows into the face of any policeman who tries to interfere they all set out for the assembly. Then Blepyrus, the elderly husband of Praxagora, appears, and the play begins to deteriorate, for it is one of the most dexterous touches in the _Lysistrata_ that the husbands are for the most part away from home, and therefore can take no part in the action. Blepyrus and his neighbours have found that their wives have disappeared together with their cloaks and shoes. While they are standing in doubt they hear strange news. The assembly convened that morning to consider the vital question of State reform is already over; it was so well attended and so punctual to time that many men came too late to vote or to receive their attendance fee. A resolution has been passed unanimously that tailors shall provide clothes and bakers bread, free gratis to all; and, furthermore, that the government shall be in the hands of women. A good-looking young man, who made a most effective speech, was chiefly responsible for this change of policy. He pointed out that women could keep a secret far better than men; that they were in the habit of trusting one another, and that they never would be likely to plot against the government; moreover, everything but woman-government had been tried already without much success, and the experiment was well worth making. Blepyrus and his friends acquiesce in the _fait accompli_, and when Praxagora returns she learns from her husband that women are now in authority. The socialistic State begins at once to take shape. Praxagora decrees a community of property—land, food, slaves, belong now to the State—every one possesses everything. Women are part of the community of goods, but to avoid disputes the less well-favoured women and men are to have the first choice of partners, and such unions are purely temporary. Law courts, gambling saloons, and night clubs are all summarily closed; for these appurtenances of civilisation are incompatible either with socialism or feminism. The difficulty of work is disposed of by the convenient institution of slavery, and a _régime_ of universal happiness and feasting begins. Thus far the first section of the play. The second part, which is very inferior, attempts to show the working of the new system. Praxagora disappears, and the characters are mere mechanical figures. A man, A; a man, B; a young man; a young woman; three old women. The scenes are coarse and uninteresting, nor is the prosiness of the dialogue relieved by any of the vivid touches of humour which mark the poet’s earlier plays. Finally, this section, like the first, ends with a banquet, given by the State, and open to all.