An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text
Dante Alighieri · en
[157] In nearly all the visions the seer is provided with a guide or
instructor, though there is a great variety in the persons invested
with this office. The earliest of these is the Archangel Michael in
the Book of Enoch, and he retains his functions in a large proportion
of the subsequent visions, and even in the conventional relations of a
visit to Hades in Renaissance and post-Renaissance literature. Dryden,
indeed, in his Essay on Epic Poetry, complains of the unfair share
of work in this department that is thrust upon him. In the Vision of
Esdras he is associated with Gabriel and thirty-four other angels. In
the Vision of Fursa he is conducted by three angels who represent the
Trinity. In other narratives St. Paul or St. Peter figures. In the
later mediæval visions the guardian angel appears in this capacity with
increasing frequency, and in particular in the Irish legends from the
time of St. Patrick, who received his revelations through the mouth
of his angel Victor. In the Shepherd of Hermas, the apparition of
the object of Hermas’s affection, followed by that of the sibyl-like
personification of the Church, is a very curious anticipation of
Beatrice instigating Virgil to undertake Dante’s guidance.
[158] Cp. the manner in which the Dé Danann chiefs are often
represented in the heroic romances, sitting in state in their dúns:
_e.g._ Lugh Mac Cethlenn, in the story of Conn, thus enthroned, with a
great tree in the doorway of his dún, and the birds singing on it.
[159] Revelation iv., xx., etc. Cp. the Book of Enoch, where One clad
in white robes sits in glory in the crystal mansion, whence a river of
fire issues.
[160] Revelation iv. 4; vi. 11, etc.
[161] A conception similar in kind, though different in form, is
apparent in the dún with a hundred doors, and at each of them an altar,
and a priest celebrating mass thereon, in the Voyage of Snedgus and
Mac Ríagla. Cp. the Castle of the Graal in the Perceval romances.
The accessories of Christian worship are frequently introduced into
the Heaven of mediæval legends, though seldom with such minuteness
as in our text. Cp. the seventh- or eighth-century legend of Saints
Theophilus, Sergius, and Hyginus, who came to a church built of crystal
and precious stones.--Ancona, _op. cit._, p. 32. This church, indeed,
was not meant to symbolise Heaven, but corresponds to the churches on
the mystical islands of the Irish _Imrama_. Praise and psalmody, as
among the joys of Heaven, of course have Scripture warrant; it remained
for Swedenborg to crown the bliss of his elect, who in other respects
_se réjouissent moult tristement_, with the privilege of listening to
sermons through all eternity.
[162] Cp. the Vision of Esdras, where the Apostles and Patriarchs and
all the righteous are arrayed about the Tree of Life.
[163] _Acallam na Sénórach_, in _Irische Texte_, IV. i., II. 6089 _sqq._