Dante. An essay. To which is added a translation of De Monarchia.
Dante Alighieri · en
Erewhile the eastern regions have I seen
At daybreak glow with roseate colours, and
The expanse beside all beauteous and serene:
And the sun's face so shrouded at its rise,
And temper'd by the mists which overhung,
That I could gaze on it with stedfast eyes.--WRIGHT.]
[Footnote 139:
On every side the sun shot forth the day,
And had already with his arrows bright
From the mid-heaven chased Capricorn away.--IBID.]
But _light_ in general is his special and chosen source of poetic
beauty. No poet that we know has shown such singular sensibility to
its varied appearances--has shown that he felt it in itself the cause
of a distinct and peculiar pleasure, delighting the eye apart from
form, as music delights the ear apart from words, and capable, like
music, of definite character, of endless variety, and infinite
meanings. He must have studied and dwelt upon it like music. His mind
is charged with its effects and combinations, and they are rendered
with a force, a brevity, a precision, a heedlessness and
unconsciousness of ornament, an indifference to circumstance and
detail; they flash out with a spontaneous readiness, a suitableness
and felicity, which show the familiarity and grasp given only by daily
observation, daily thought, daily pleasure. Light everywhere--in the
sky and earth and sea--in the star, the flame, the lamp, the
gem--broken in the water, reflected from the mirror, transmitted pure
through the glass, or coloured through the edge of the fractured
emerald--dimmed in the mist, the halo, the deep water--streaming
through the rent cloud, glowing in the coal, quivering in the
lightning, flashing in the topaz and the ruby, veiled behind the pure
alabaster, mellowed and clouding itself in the pearl--light contrasted
with shadow--shading off and copying itself in the double rainbow,
like voice and echo--light seen within light, as voice discerned
within voice, "_quando una è ferma, e l'altra va e riede_"--the
brighter "nestling" itself in the fainter--the purer set off on the
less clear, "_come perla in bianca fronte_"--light in the human eye
and face, displaying, figuring, and confounded with its
expressions--light blended with joy in the eye:
luce
Come letizia in pupilla viva;
and in the smile:
Vincendo me col lume d'un sorriso;
joy lending its expression to light:
Quivi la donna mia vid'io sì lieta--
Che più lucente se ne fè il pianeta.
E se la _stella si cambiò, e rise_,
Qual mi fec'io;--_Parad._ 5.