Dante. An essay. To which is added a translation of De Monarchia.
Dante Alighieri · en
The greatness of his work is not in its details--to be made or marred
by them. It is the greatness of a comprehensive and vast conception,
sustaining without failure the trial of its long and hazardous
execution, and fulfilling at its close the hope and promise of its
beginning; like the greatness--which we watch in its course with
anxious suspense, and look back upon when it is secured by death, with
deep admiration--of a perfect life. Many a surprise, many a
difficulty, many a disappointment, many a strange reverse and
alternation of feelings, attend the progress of the most patient and
admiring reader of the _Commedia_; as many as attend on one who
follows the unfolding of a strong character in life. We are often
shocked when we were prepared to admire--repelled, when we came with
sympathy; the accustomed key fails at a critical moment--depths are
revealed which we cannot sound, mysteries which baffle and confound
us. But the check is for a time--the gap and chasm does not dissever.
Haste is even an evidence of life--the brief word, the obscure hint,
the unexplained, the unfinished, or even the unachieved, are the marks
of human feebleness, but are also among those of human truth. The
unity of the whole is unimpaired. The strength which is working it
out, though it may have at times disappointed us, shows no hollowness
or exhaustion. The surprise of disappointment is balanced--there is
the surprise of unimagined excellence. Powers do more than they
promised; and that spontaneous and living energy, without which
neither man nor poet can be trusted, and which showed its strength
even in its failures, shows it more abundantly in the novelties of
success--by touching sympathies which have never been touched before,
by the unconstrained freshness with which it meets the proverbial and
familiar, by the freedom with which it adjusts itself to a new
position or an altered task--by the completeness, unstudied and
instinctive, with which it holds together dissimilar and uncongenial
materials, and forces the most intractable, the most unaccustomed to
submission, to receive the colour of the whole--by its orderly and
unmistakable onward march, and its progress, as in height, so in what
corresponds to height. It was one and the same man, who rose from the
despair, the agony, the vivid and vulgar horrors of the _Inferno_, to
the sense and imagination of certainty, sinlessness, and joy
ineffable--the same man whose power and whose sympathies failed him
not, whether discriminating and enumerating, as if he had gone through
them all, the various forms of human suffering, from the dull,
gnawing sense of the loss of happiness, to the infinite woes of the
wrecked and ruined spirit, and the coarser pangs of the material
flesh; or dwelling on the changeful lights and shades of earnest
repentance, in its hard, but not unaided or ungladdened struggle, and
on that restoration to liberty and peace, which can change even this