Another noteworthy volume is Barry Cornwall's _Dramatic Scenes and other Poems_ (Chapman and Hall, 1857) illustrated by many of the artists already mentioned. The fifty-seven engravings by Dalziel include one block on p. 45, from a drawing by J. R. Clayton, which is here reprinted--not so much for its design as for its engraving; the way the breadth of the drapery is preserved, despite the elaborate pattern on its surface, stamps it as a most admirable piece of work. Thornbury's _Legends of the Cavaliers and Roundheads_ (Hurst and Blackett, 1857), was illustrated by H. S. Marks. So far the few books of 1857 noticed have considerable family likeness. The Bunyan's _Pilgrim's Progress_ (Nisbet, 1857), illustrated with twenty designs by G. H. Thomas, more slight in its method, reflects the journalistic style of its day rather than the elaborate 'book' manner, which in many an instance gives the effect of an engraving 'after' a painting or a large and highly-wrought fresco. As one of the many attempts to illustrate the immortal Protestant romance it deserves noting. To this year belongs _The Poetical Works of Edgar Allan Poe_, illustrated with some striking designs by John Tenniel, and others by F. R. Pickersgill, R.A., Birket Foster, Percival Skelton; and besides these, Felix Darley, P. Duggan, Jasper Cropsey, and A. W. Madot--draughtsmen whose names are certainly not household words to-day. In the lists of 'artists' the portrait of the author is attributed to 'daguerreotype'! one of the earliest instances I have encountered of the formal appearance of the ubiquitous camera as an artist. Longfellow's prose romance, _Kavanagh_ (Kent, 1857), with exquisite illustrations by Birket Foster, appeared this year; _Hyperion_ (Dean), illustrated by the same author, being issued the following Christmas. _Poetry and Pictures from Thomas Moore_ (Longman, 1857), the _Poems and Songs of Robert Burns_ (Bell and Daldy, 1857), both illustrated by Birket Foster and others, and _The Fables of Æsop_, with twenty-five drawings by C. H. Bennett, also deserve a passing word. _Gertrude of Wyoming_, by Thomas Campbell (Routledge, 1857), is only less important from its dimensions, and the fact that it contains only thirty-five illustrations, engraved by the brothers Dalziel, as against the complete hundred of most of its fellows. The drawings by Birket Foster, Thomas Dalziel, Harrison Weir, and William Harvey include some very good work.