English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others — Dante Alighieri — John Shaqi
English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
_H. Leslie's Musical Annual_ (Cassell, 1870) contains a fine drawing,
_The Boatswain's Leap_, by G. J. Pinwell, and a steel engraving, _A
Reverie_, after Millais, which was re-issued in _The Magazine of Art_,
September 1896. _Pictures from English Literature_ (Cassell) is an
excuse for publishing twenty full-page engravings after elaborate
drawings by Du Maurier, S. L. Fildes, W. Small, J. D. Watson, W.
Cave Thomas, etc. etc. This anthology, with a somewhat heterogeneous
collection of drawings, seems to be the last genuine survivor of
the old Christmas gift-books, which is lineally connected with the
masterpieces of its kind.
Soon after the inevitable anthology of poems reappeared, in humbler
pamphlet shape, as a birthday souvenir, or a Christmas card,
embellished with chromo-lithographs, as it had already been allied
with photographic silver-prints; but it is always the accident of the
artists chosen which imparts permanent interest to the otherwise
feeble object; whether it take the shape of a drawing-room table-book,
gaudy, costly, and dull, or of a little booklet, it is a thing of no
vital interest, unless by chance its pictures are the work of really
powerful artists. The decadence of a vigorous movement is never a
pleasant subject to record in detail. Fortunately, although the king
died, the king lived almost immediately, and _The Graphic_, with its
new ideals and new artists, quickly established a convention of its
own, which is no less interesting. If it does not seem, so far as we
can estimate, to have numbered among its articles men who are worthy
in all respects to be placed by Rossetti, Millais, Sandys, Houghton,
Pinwell, Fred Walker, and the rest of the typical heroes of the
sixties, yet in its own way it is a worthy beginning of a new epoch.
Before quitting our period, however, a certain aftermath of the rich
harvest must not be forgotten; and this, despite the comparatively few
items it contains, may be placed in a chapter by itself.
[Illustration: FREDERICK SANDYS
'ONCE A WEEK'
VOL. VII. p. 266
DEATH OF KING
WARWOLF]
CHAPTER X: THE AFTERMATH, A FEW BELATED VOLUMES
That Thornbury's _Legendary Ballads_ (dated 1876) should be regarded as
a most important volume in a collection of the 'sixties' is not odd,
when you find that its eighty-one illustrations were reprinted from
_Once a Week_. Many of the drawings were republished in this book, with
the poem they originally illustrated; others, however, were joined
to quite different text. If the memories of those living are to be
trusted, not a few of the artists concerned were extremely annoyed to
find their designs applied to new purposes. To take a single instance,
the Sandys design to _King Warwolf_ re-accompanied the poem itself, but
the drawing by John Lawson, which is herein supposed to illustrate the
lines,
'And then there came a great red glare
That seemed to crimson fitfully
The whole broad Heaven.'