English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
WALTER CRANE.--This popular artist was born in Liverpool, August 15,
1845, his father being sometime secretary and treasurer of the (then)
Liverpool Academy. After a boyhood spent mostly at Torquay the family
came to London in 1857. In 1859 he became a pupil of Mr. W. J. Linton,
the well-known engraver, and remained with him for three years. About
1865 he first saw the work of Burne-Jones at the Society of Painters
in Water Colours. These drawings, and some Japanese toy-books which
fell in his way, have no doubt strongly influenced his style; but the
earlier pre-Raphaelites and the _Once a Week_ school had been eagerly
studied before. Although Mr. Crane, with his distinctly individual
manner, is not a typical artist of the sixties any more than of the
seventies, or of to-day, and although his style had hardly found its
full expression at that time, except in the toy-books, yet no record of
the period could be complete without a notice of one whose loyalty to a
particular style has done much to found the modern 'decorative school.'
[Illustration: WALTER CRANE
'GOOD WORDS'
1863, p. 795
TREASURE-TROVE]
His first published drawing, _A man in the coils of a serpent_, appears
in a quite forgotten magazine called _Entertaining Things_, vol. i.
1861, p. 327 (Virtue); others, immature, and spoilt by the engraver,
are in _The Talking Fire-irons_ and similar tracts by the Rev. H.
B. Power. In many of the magazines, of which the contents are duly
noted,--_Good Words_, _Once a Week_, _The Argosy_, _London Society_,
etc.--reference has been already made to each of his drawings as it
appeared therein. A bibliography of his work, to be exhaustive, would
take up more room than space permitted here. As it will be the task
of the one, whoever he may be, who undertakes to chronicle English
illustrations of the seventies, it may be left without further notice.
For, with the exception of the _New Forest_ (1862), all the other books
which may be called masterpieces of their order, _Grimms' Household
Stories_, _The Necklace of Princess Fiorimonde_, _The Baby's Bouquet_,
_Baby's Opera_, _Æsop's Fables_, _Flora's Feast_, _Queen Summer_, the
long series of Mrs. Molesworth's children's books, many 'coloured
boards' for novels, and the rest, belong to a later period.