In 1868 A. Boyd Houghton is again the most frequent contributor of full-page designs; a bare list must suffice. _Sunday at Hippo_ (p. 57), _Three Feasts of Israel_ (p. 67), _Paul's Judge_ (p. 88), _Sunday Songs, Sweden_ (p. 112), _The Charcoal Burners_ (p. 118), a drawing which looks like an intentional 'exercise in the manner of Gustave Doré,' who, despite his enormous popularity in England, seems to have had singularly little influence on English artists, so that this stands out as a unique exception. Houghton has also _The Feast of the Passover_ (p. 185), _The Poor Man's Shuttle_ (p. 273), _Feast of Pentecost_ (p. 296), _Samuel the Ruler_ (p. 357), _George Herbert's Last Sunday_ (p. 424), _Baden-Baden_ (p. 520), _The Good Samaritan_ (p. 552), _Church of the Basilicas_ (p. 561), _Joseph's Coat_ (p. 616), _St. Paul Preaching_ (p. 681), and _The Parable of the Sower_ (p. 777). G. J. Pinwell is seen in three examples, _A Westphalian Parsonage_ (p. 192), _Madame de Krudener_ (pp. 704, 785); S. L. Fildes is here for the first time with _The Farmer's Daughter_ (p. 656); J. Pettie has a small drawing, _My Sister_ (p. 176); J. Wolf, a clever 'lamb' study (p. 529); and W. Small a most typical, almost mannered, _Sunday Morning_ (p. 182). J. Mahoney supplies twenty-eight illustrations to _The Occupations of a Retired Life_, by Edward Garrett, besides separate plates, _Sunday Songs from Denmark_ (p. 16), _Love Days_ (p. 137), and _Just Suppose_ (p. 649). J. Gordon Thomson contributes eighteen drawings for Dr. George Macdonald's _The Seaboard Parish_, and others of no particular interest are attributed to Shield, F. A. Fraser, C. Morgan, Miles, Lamont, and Pasquier. Here, as in many other volumes, are vignettes and tail-pieces by T. Dalziel, some of them most admirably drawn and all charmingly expressed in the engraving.