In 1871 Houghton has but two: _A Woman that was a Sinner_ (p. 104) and _The Withered Flower_ (p. 512). Arthur Hughes, in three delightful designs, _My Heart_ (p. 10), _The First Sunrise_ (p. 302), and _Tares and Wheat_ (p. 353); J. Mahoney with _Diet of Augsburg_ (p. 417) and _Our Milkmen_ (p. 217); and W. Small with _The Sea-Side Well_ (p. 249), _One of Many_ (p. 446), and fourteen illustrations to _The Story of the Mine_, are about the only remnants of the old army. John Leighton, a frequent contributor of decorative borders and head-pieces, has a typical full-page, _A Parable_ (p. 408). The 'seventies' are represented by R. Macbeth's _Tom Joiner's Good Angel_ (p. 313); and C. Green (who, like Small, belongs to both periods) with his designs to _The Great Journey_ (p. 119) and _Mills of Clough_ (pp. 560, 728). CASSELL'S MAGAZINE, A popular monthly periodical that is still in full vigour under a slightly altered title, started in the decade immediately before the date that this book attempts to cover. As _Cassell's Family Paper_, a large folio weekly, beyond the fact that the ubiquitous Sir John Gilbert did innumerable good things for its pages, one is not greatly interested in it. But in 1865 it was changed to a quarto shape, and although L. Huard supplied the front page pictures to vol. i., and so the artistic position of the paper was not improved, yet soon after the change we find a great illustrator contributing the weekly drawing for its chief serial. For despite the indifferent engraving accorded to many of the blocks and the absence of any signature, the autograph of William Small is legible in every line of the illustrations to _Bound to the Wheel_ which started with vol. ii. in August 26, 1866, and has sixteen half-page illustrations. This was followed by _The Secret Sign_, with the same artist for a few chapters. Then another hand appears, and soon after the monogram F. G. shows that the second Gilbert (a brother, I believe, of the more famous artist) has replaced W. Small. To one drawing of another serial, _The Lion in the Path_, the signature of T. Morten is appended.