English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others — Dante Alighieri — John Shaqi
English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
This twopenny monthly magazine, which is probably as unfamiliar to
those who read this notice as it was to me until a short time since,
was published by Virtue and Co., the first number appearing in January
1861. It contains many designs by J. Portch, F. J. Skill, M. S.
Morgan, E. Weedar, W. M'Connell, P. Justyne, and W. J. Linton, none
being particularly well engraved. But it contains also Walter Crane's
first published drawing--a man in the coils of a serpent (p. 327),
illustrating one of a series of articles, _Among the Mahogany Cutters_,
which is not very important; another a few pages further on in the
volume is even less so. Collectors will also prize _A Nocturne_ by
G. Du Maurier, and some designs by T. Morton (_sic_). The Christmas
number contains a delightful design by A. Boyd Houghton, _The Maid of
the Wool-pack_, and another drawing by Du Maurier. The publication
ceased, according to a note in the British Museum copy, in May 1862.
Among rarities of the sixties this magazine may easily take a high
place, for one doubts if there are many copies in existence. Should the
mania for collecting grow, it is quite possible this volume, of such
slight intrinsic value, will command record prices.
BEETON'S ANNUALS
These were of two sorts, a badly printed shilling annual, which
appealed to children of all ages, and a six-shilling variety, which
appealed to those of a smaller growth. In the higher-priced volumes
for 1866 T. Morten, J. G. Thomson, and J. A. Pasquier appear. In the
shilling issue, an independent publication, are more or less execrably
engraved blocks, after C. H. Bennett, G. Cruikshank, Jun., and others
who would probably dislike to have their misdeeds chronicled. These
publications added to the gaiety of nations, but when they ceased no
eclipse was reported. Yet a patient collation of their pages renewed
a certain boyish, if faded, memory of their pristine charm, which
the most cautious prophet may assert can never be imparted anew to
any reader. _Kingston's Annuals_ and _Peter Parley's Annuals_, also
revisited, left impressions too sad to be expressed here. Nor need
_Routledge's Christmas Annuals_ be noticed in detail. _Tom Hood's Comic
Annuals_, which contained much work typical of the seventies, although
it began its long career in 1869, includes so little work by heroes of
the 'sixties' that it need not be mentioned.
The mass of penny magazines for children do not repay a close search.
Here and there you will find a design by a notable hand, but it is
almost invariably ruined by poor engraving; so that it were kinder
not to attempt to dispel the obscurity which envelops the juvenile
'goody-goody' literature of thirty years ago.
[Illustration: G. DU MAURIER
'PUNCH.' MARCH 3, 1866
A LEGEND OF CAMELOT, PART I]
[Illustration: G. DU MAURIER
'PUNCH.' MARCH 10, 1866
A LEGEND OF CAMELOT, PART II]
[Illustration: G. DU MAURIER
'PUNCH.' MARCH 17, 1866.
A LEGEND OF CAMELOT, PART III]