The Banquet (Il Convito) — Dante Alighieri — John Shaqi
The Banquet (Il Convito)
Dante Alighieri · en
Likewise to this age the passion of modesty is necessary; and
therefore the nature which is good and noble shows it in this age,
even as the Song says. And since modesty is the clearest sign, in
Adolescence, of Nobility, because there it is especially necessary to
the good foundation of our life, at which the noble nature aims, it is
right to speak of it somewhat. By modesty I mean three passions or
strong feelings necessary to the foundation of our good life: the one
is wonder, the next is modesty, the third is shame, although the
common people do not discern this distinction. And all three of these
are necessary to this life, for this reason: at this age it is
requisite to be reverent and desirous for knowledge; at this age it is
necessary or requisite to be self-controlled, so as not to transgress
or pass beyond due bounds; at this age it is necessary to be penitent
for a fault, so as not to grow accustomed to doing wrong. And all
these things the aforesaid passions or strong feelings do, which
vulgarly are called shame; for wonder is an amazement of the mind at
beholding great and wonderful things, at hearing them, or feeling them
in some way or other; for, inasmuch as they appear great, they excite
reverence in him who sees them; inasmuch as they appear wonderful,
they make him who perceives them desirous of knowledge concerning
them. And therefore the ancient Kings in their palaces or habitations
set up magnificent works in gold and in marble and works of art, in
order that those who should see them should become astonished, and
therefore reverent inquirers into the honourable conditions of the
King. Therefore Statius, the sweet Poet, in the first part of the
Theban History, says that, when Adrastus, King of the Argives, saw
Polynices covered with the skin of a lion, and saw Tydeus covered with
the hide of a wild boar, and recalled to mind the reply that Apollo
had given concerning his daughters, he became amazed, and therefore
more reverent and more desirous for knowledge. Modesty is a shrinking,
a drawing-back of the mind from unseemly things, with the fear of
falling into them; even as we see in virgins and in good women, and in
adolescent or young men, who are so modest that not only when they are
tempted to do wrong, and urged to do so, but even when some fancied
joy flashes across the mind, the feeling is depicted in the face,
which either grows pale with fear, or flushes rosy-red. Wherefore the
before-mentioned poet, in the first book of the Thebaid already
quoted, says that when Acesta the nurse of Argia and Deiphile, the
daughters of King Adrastus, led them before the eyes of their holy
father into the presence of the two pilgrims, that is to say,
Polynices and Tydeus, the virgins grew pale and blushed rosy-red, and
their eyes shunned the glance of any other person, and they kept them
fixed on the paternal face alone, as if there were safety. This
modesty--how many errors does it bridle in, or repress? On how many