The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
answers better to Dante's ideal of a righteous Emperor than to the
character of a partisan leader like Uguccione della Faggiuola, or an
ambitious prince like Can Grande.
[176] _Camilla, etc._: All persons of the _Æneid_.
[177] _Envy_: That of Satan.
[178] _Thou hadst best, etc._: As will be seen from the next Canto,
Virgil has been sent to the relief of Dante; but how that is to be
wrought out is left to his own judgment. He might secure a partial
deliverance for his ward by conducting him up the Delectable Mount--the
peaceful heights familiar to himself, and which are to be won by the
practice of natural piety. He chooses the other course, of guiding Dante
through the regions of the future state, where the pilgrim's trust in
the Divine government will be strengthened by what he sees, and his soul
acquire a larger peace.
[179] _A soul_: Beatrice.
[180] _The Emperor_: The attribution of this title to God is significant
of Dante's lofty conception of the Empire.
[181] _'Gainst his laws, etc._: Virgil was a rebel only in the sense of
being ignorant of the Christian revelation (_Inf._ iv. 37).
[182] _Saint Peter's gate_: Virgil has not mentioned Saint Peter. Dante
names him as if to proclaim that it is as a Christian, though under
heathen guidance, that he makes the pilgrimage. Here the gate seems to
be spoken of as if it formed the entrance to Paradise, as it was
popularly believed to do, and as if it were at that point Virgil would
cease to guide him. But they are to find it nearer at hand, and after it
has been passed Virgil is to act as guide through Purgatory.
CANTO II.