Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Dante, however, was not merely a simple lover of excellence: he was also
a keen hater of wickedness, one that took the moral world tragically
and wished to heighten the distinctions he felt into something absolute
and infinite. Now any man who is _enragé_ in his preferences will
probably say, with Mohammed, Tertullian, and Calvin, that good is
dishonoured if those who contemn it can go scot-free, and never repent
of their negligence; that the more horrible the consequences of
evil-doing, the more tolerable the presence of evil-doing is in the
world; and that the everlasting shrieks and contortions of the damned
alone will make it possible for the saints to sit quiet, and be
convinced that there is perfect harmony in the universe. On this
principle, in the famous inscription which Dante places over the gate of
hell, we read that primal love, as well as justice and power,
established that torture-house; primal love, that is, of that good
which, by the extreme punishment of those who scorn it, is honoured,
vindicated, and made to shine like the sun. The damned are damned for
the glory of God.
This doctrine, I cannot help thinking, is a great disgrace to human
nature. It shows how desperate, at heart, is the folly of an egotistic
or anthropocentric philosophy. This philosophy begins by assuring us
that everything is obviously created to serve our needs; it then
maintains that everything serves our ideals; and in the end, it reveals
that everything serves our blind hatreds and superstitious qualms.
Because my instinct taboos something, the whole universe, with insane
intensity, shall taboo it for ever. This infatuation was inherited by
Dante, and it was not uncongenial to his bitter and intemperate spleen.
Nevertheless, he saw beyond it at times. Like many other Christian
seers, he betrays here and there an esoteric view of rewards and
punishments, which makes them simply symbols for the intrinsic quality
of good and evil ways. The punishment, he then seems to say, is nothing
added; it is what the passion itself pursues; it is a fulfilment,
horrifying the soul that desired it.