Hegel's Lectures on the History of Philosophy: Volume 3 (of 3) — Georg Hegel — John Shaqi
Hegel's Lectures on the History of Philosophy: Volume 3 (of 3)
Georg Hegel · en
while Spinoza only takes notice of these ordinary conceptions, and the
highest point of view he reaches in regard to them is that they sink
and disappear in the one Substance, Locke on the contrary examines the
genesis of these conceptions, while Leibnitz opposes to Spinoza the
infinite multiplicity of individuals, although all these monads have one
monad as the basis of their Being. Both Locke and Leibnitz therefore came
forward as opponents of the above-mentioned one-sidedness of Spinoza.
3. MALEBRANCHE.
The philosophy of Malebranche is in point of matter entirely identical
with that of Spinoza, but it has another, a more religious and more
theological form; on account of this form it never encountered the
opposition met with by Spinoza, and for the same reason Malebranche has
never been reproached with Atheism.
Nicholas Malebranche was born at Paris in 1638. He was sickly and
deformed in body, and was hence brought up with great care. He was
diffident and loved solitude; in his twenty-second year he entered the
_congrégation de l’oratoire_, a sort of spiritual order, and devoted
himself to the sciences. In passing a bookseller’s shop he happened
accidentally to see Descartes’ work _De homine_; he read it, and it
interested him greatly—so much so that the reading of it brought on
severe palpitation and he was forced to cease. This decided his future
life; there awoke in him an irrepressible inclination for Philosophy. He
was a man of most noble and gentle character, and of the most genuine and
unswerving piety. He died at Paris in 1715, and in the seventy-seventh
year of his age.[210] His principal work bears the title: _De la
recherche de la vérité_. One part of it is entirely metaphysical, but the
greater part is altogether empirical. For instance, Malebranche in the
first three books treats logically and psychologically of the errors in
sight and hearing, in the imagination and understanding.