Prolegomena to the Study of Hegel's Philosophy, and Especially of His Logic
Georg Hegel · en
What has been said of sympathy and imagination, as the allies and
ministers of reason, might be extended and applied to humour,
to wit, to irony. These also it may be said--and with the same
qualifications--are essential to a philosopher in the highest
sense. The humour, viz., which strides over the barriers set up by
institution and convention between the high and the humble, and
sees man's superficial distinctions overpowered by a half-grim,
half-jubilant _Ananke_,--which notes how human proposal is overcome,
not without grace, by divine and natural disposal, how the deep inner
identity in all estates breaks triumphantly through the fences of
custom and deliberate intention. The wit, which upsets the hardened
fixity of classes and groups, flits from one to another, shows
glimpses of affinity between remote provinces of idea, and all this,
without laboured and artificial search for analogies, though to the
slower-following practical mind, hampered by its solid limits, these
leaps from province to province seem paradoxical and whimsical.
The irony, which notes the tragicomedy of life under its apparent
regularity of prose,--which detects the vanity of all efforts to check
the flux of vitality and make the volatile permanent; which contrasts
the apparent with the real, the obviously and officiously meant with
the truly desired and willed, and shows how diplomatically-close design
is dissipated in a jest, or the soul bent on many years of enjoyment
is plunged into torment. Thus, in a way, imagination, sympathy, wit,
humour, irony and paradox are elements that go to the making of a
philosopher: but in the serenity of reasoned wisdom they lose their
frolicsome and fantastic mood, and fill their minor place with sober
cheer. Wedded to the lord of wisdom, the Muse of poesy and wit loses
her sprightly laugh and her dancing step, becoming a subdued, yet
gracious matron, who, with her offspring, sheds gleams of brightness
and warmth and colour in the somewhat austere household. Yet still the
free maiden of poesy, in the open fields where the shadow of reflective
thought has not yet fallen, has the greater charm; and a certain
jealousy not unfrequently reigns between the married sister and the
virgin yet untamed.