The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Georg Hegel · en
as antagonists within the subject (person), he has, as determining
himself out of himself, the choice of following the one or the other.
But, according to the view under discussion, a _moral_ aspect is
acquired by such a decision, and by the act performed in accordance
with it, only through the free conviction of duty on the one hand, and,
on the other hand, through the conquest, not only of the particular or
separate will, of the natural motives, inclinations, passions, etc.,
but also through that of the nobler emotions and the higher impulses.
For the modern moralistic view starts from the fixed antithesis
of the will in its spiritual universality to its sensuous natural
particularity,[94] and consists not in the completed reconciliation of
these contrasted sides, but in their conflict with one another, which
involves the requirement that the impulses which conflict with duty
ought to yield to it.
This antithesis does not merely display itself for our consciousness,
in the limited region of moral action; but also emerges as a
fundamental distinction and antagonism between that which is real
essentially and in its own right,[95] and that which is external
reality and existence. Formulated in the abstract, it is the contrast
of the universal and particular, when the former is explicitly fixed
over against the latter, just as the latter is over against the former;
more concretely, it appears in nature as the opposition of the abstract
law against the abundance of individual phenomena, each having its
own character; in the mind, as the sensuous and spiritual in man, as
the battle of the spirit against the flesh, of duty for duty's sake,
the cold command, with the individual interest, the warm feelings,
the sensuous inclinations and impulses, the individual disposition
as such; as the hard conflict of inward freedom and of natural
necessity; further, as the contradiction of the dead conception--empty
in itself--compared with full concrete vitality, or of theory and
subjective thought contrasted with objective existence and experience.