The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_a_) Accordantly with this it is impossible for the understanding[196]
alone to grasp the significance of beauty. For inasmuch as objective
reality is apprehended by this faculty as something at least quite
other than ideality, sensuous perception, as something very different
from the notion, the external object as something that is anywhere
rather than within world of the conscious self, to that extent it
cannot fail to emphasize the contradictions implied in such separation,
rather than penetrate to the ideal unity we have above described. The
understanding remains rooted in the finite, the incomplete and untrue
abstraction. The beautiful is on the contrary itself essentially
_infinite_ and free.
For although the content of beauty is stamped with particularity and
to that extent limited, such content is essentially in its mode of
environment a totality that is infinite[197] and a free existence; and
it is both for the reason that it is the notion, which does not pass
beyond this its objective semblance, and so fall into finite and one
sided abstraction with it, but rather is immersed as a blossom with
this its objectification and through the imminent unity and perfection
of such inclusion is revealed as essentially infinite. With equal
truth we may affirm that the notion in sealing, as it were, with a
soul the real existence, in which it is part of the objective world,
is itself by itself freely manifest in that world. For the notion will
not suffer that external existence in the sphere of beauty to follow,
as it would otherwise, the laws that therein are paramount: rather
it determines out of its own riches the articulation and form of its
appearance therein; and it is precisely this harmony of the notion with
the mode of its external existence which constitutes the essential
life of beauty. And the bond which braces all together, no less than
the power behind it, is self-conscious life, unity, soul, and artistic
personality.
(_b_) We conclude, then, that if we consider beauty in its relation to
conscious life, on the _subjective_ side that is, it is neither to be
adequately apprehended by an intelligence that persists in the unfree
medium of purely finite existence, nor is it the object of the finite
Will. We will enlarge a little on both points.
As finite intelligence we are aware in feeling of the inner no less
than the outer objects of consciousness; we observe them, perceive
them to be true to our senses, allow them to form part of the content
of our perceptions, concepts, and finally, no doubt, to become the
abstractions which our understanding presents to us, reflecting
on their appearance, and endowing them with the abstract form of
universality.