The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
In the sphere of _theory_ here it is the assumed independence of the
objective world which creates the finitude and bondage of the conscious
Ego. In that of the practical world this dependence is due to its
one-sidedness, the conflict and contradiction of its aims within and
the impulses and passions which press from without, no less than to
the unreconciled opposition of a world of objects. For the separation
and opposition of these two aspects of one whole, that is, objects
and relating self-conscious life, is presupposed in, and indeed is an
accurate definition of, this point of view.
And, similarly, with reference to the lack of freedom in the object.
Here, too, in the sphere of intelligible conception, the independence
of the object is assumed, but the freedom assumed is only apparent. For
it is only posited as bare objectivity without securing the presence
of its notion, as the unity and universality of the conscious subject,
within such objectivity. It still remains outside it. Every object thus
placed external to the notion merely exists as particularity, which
comes back to us in external guise together with its manifold, and
is, in all the unlimited scope of its relations, through its contact
with other objects, subject to the conditions of its origin, change,
opposing force and final overthrow. In the _practical_ world the
dependence of the object is expressly, in this view, assumed, and the
opposition of the thing is posited in definite relation to volition
without possessing in itself the power of ultimate self-subsistency
permitted to the latter.
(_c_) The apprehension of the object as _beautiful_ unites these two
abstract points of view. It in fact annuls the one-sidedness of both
whether relatively to the subject of consciousness or its object, and
by doing so cancels the finitude and lack of freedom which characterize
them.
Philosophically regarded[199], the reason is this, that the object is
not apprehended in its existence as an isolated thing whose notion
as the object of human thought is removed from the objectivity which
belongs to it as something outside it, and which in its particular
reality extends and is dissipated in every conceivable direction
as a manifold content of intelligible relations. An object which
is beautiful suffers its own notion to appear as realized in its
objective presence, and reveals in that appearance the unity and life
inseparable from the conscious subject. For this reason the object may
be conceived as sweeping back into the curve of its unity that impulse
of continuous externality, cancelling its dependence on other objects,
and transmuting to our vision its unfree finitude into free infinity.