The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
emergent from all the fracture of its former individual parts and their
respective ends and energies, raised in the Ideal itself to a higher
totality and self-subsistence.
(_α_) We may in this respect point to the blessed repose[273], this
self-contentment in its own self-secure consummation, as the crown of
the Ideal. The ideal form of art stands like some blissful god before
us. For the blessed gods are ultimately above and beyond the grim
earnest of actual necessity, anger, and interest in finite existence
and purely finite ends; and this positive withdrawal involved in the
negation of all isolated particularity give them the characteristics of
cheerfulness and repose. In this sense we may interpret that phrase of
Schiller: "Life is earnest, Art is _cheerful._" Pedants, no doubt, have
often enough cracked a joke over it, inasmuch as poetry in general,
and Schiller's in particular, is a serious matter; and in truth no
ideal art is without such a quality; but for all that in this very
earnestness the essential character of cheerfulness[274] remains. This
force of individuality, this triumph of self-concentrated freedom, is
that which we recognize in an exceptional degree in ancient works of
art and the blithesome repose of their figures. And this is not merely
the case when we face a satisfaction that involves no struggle, but
even in an example where the subject is rent by some breach in the
entire content of its existence. For when the heroes of tragedy are
represented as subject to Fate we find that the demeanour they present,
which may be summed up in the words, "It is so!" still remains a simple
withdrawal into personality[275]. The subject thus depicted remains
throughout true to himself. He surrenders that which is seized from
him, but the aims he pursued are not simply taken away; he suffers them
to lapse and consequently does not lose his initiative. The man who is
the bondman of Destiny may lose his life, but not his freedom. This
repose on the essential birthright of Spirit is that which is able to
preserve and reveal the blithe atmosphere of repose in grief itself.