The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
bubbling over with wit and the humour of genius. And, no doubt, there
will always be fools enough to ask us how men thus spiritually gifted
could ever betake themselves to such tomfooleries. The truth is that
the reflection of the formal logic is sure to emphasize one aspect
of a character, and conclude that the entire man is minted under its
impression to the exclusion of all others. To such everything that
asserts itself as alien to the hallmark of its beggarly mintage can
only appear as an inconsequence. In the truely rational contemplation
of the whole as distinct from the parts, and thereby of the living
thing, that which appears as inconsequent will be precisely that which
brings all into fit co-ordination. For our humanity is just this
very paradox. We have not merely to carry[363] the contradictions of
our complex nature, but to suffer the load[363] with patience, and
throughout prove staunch to our burden.
(_γ_) We may conclude, then, that character must fuse together
its particularity in the element of its spiritual substance; it
should possess a definite type, and at the same time retain in this
distinction the force and stability of a _single_ fully self-consistent
pathos. Where we find our humanity represented without such a centre
of unity, the different aspects of such variety it may possess
will lose all relative meaning or significance and fall away from
each other. In art we shall find that what we distinguish in our
conception of personality as infinite or the Divine is just this
self-consistency in unity. If this view be a just one it is obvious
that such characterizations as stability and determination are of
great importance in the ideal representation of character. And we
shall only obtain such a result, as already observed, in so far as the
universality of the powers inherent in our humanity are permitted to
transpierce the mere particularity of the individual character and, by
virtue of the unity thus set up, create a subjective and at the same
time individual life which supplies its own principle of unity and
self-identity.
Such a condition is all important, and we must now advert to a number
of artistic compositions, more particularly of later times, in express
relation to it.