[Footnote 91: _Aushöhlen muss._ We should rather say that the allegorist is forced to attenuate (lit. hollow out) the substance of subjectivity, etc. But I have left the more literal rendering.] [Footnote 92: In the German _fassen_, _begreifen._] [Footnote 93: _Einer konkreten Anschauung._ That is, a quality or feature that belongs to the phenomena of the concrete world of perception.] [Footnote 94: Of course this is not so in the English equivalent, where the primary sense is still material.] [Footnote 95: Lit., "Of expressions in the strict sense of the term."] [Footnote 96: _Ihr ruhiger vollständig ausgestaltender Sinn._ The meaning that declares itself completely through the form in classic repose.] [Footnote 97: _Ausführliche_, explicit in all its detail.] [Footnote 98: _Das Für-sich-seyn._] [Footnote 99: I give the literal translation. I presume a more intelligible one would be "but actual existence in its self-defined concreteness." The passage is not easy to follow.] [Footnote 100: /$ Silent we pounded up carbon, saltpeter, and sulphur, Set the train going. Good friend! How did our cracker find _you?_ Some as illuminate balls soared prodigious while others exploded, Many we flashed in our fun simply the eye to delight. $/ ] [Footnote 101: I find this analysis of the image more than usually difficult to follow, I have therefore made my translation very literal. I must confess that this distinction between the image and the metaphor appears to me rather an example of hyper-subtlety on Hegel's part, or as some might say, an effort to make what is virtually only a verbal distinction correspond to a more real difference of idea.] [Footnote 102: That is the emphatically personal.] [Footnote 103: _Die Schwelgerei._] [Footnote 104: In the German the sentence is continuous. Our version clearly gives another reading to the Hebrew.] [Footnote 105: May be a misprint for "thy presence," _deine_ instead of _die._] [Footnote 106: Chapman's translation.] [Footnote 107: Chapman's translation, somewhat an extension of the Greek it must be admitted.] [Footnote 108: _Theoretisch_, _i.e._, in contemplative repose.] [Footnote 109: Such I take to be the contrast implied in the words _den Adel ihrer Gesinnung_ and _die Macht ihrers Gemüths. Gesinnung_ is the sense-perception. _Gemüth_ includes the creative fertility.] [Footnote 110: _Hier_, _i.e._, as contrasted with the first stage of the discussion.] [Footnote 111: "Henry IV, Part II," act i, scene I.] [Footnote 112: "King Richard II," act iv, sc. 1.] [Footnote 113: "King Henry VIII," act iii, sc. 1.] [Footnote 114: "Julius Caesar," act iv, sc. 3.] [Footnote 115: "Macbeth," act v, sc. 5.] [Footnote 116: "Henry VIII," act iii, sc. 2.] [Footnote 117: "Antony and Cleopatra," act V, sc. 2.]