The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
If we inquire further into the more obvious aspects of this necessary
transformation of that which is undoubtedly involved with, but at first
still alien from, the Ideal, we find it set before us in naïve form as
content of mythology itself. The main fact of Greek theology is this,
that it creates itself and constitutes itself from that which has gone
before, which takes its place in the origins and process of its own
generic history. Incidental to this origination, in so far as the gods
are taken to be spiritual individualities in determinate bodily shape,
we find, on the one hand, that Spirit, instead of giving visibility
to its essence in that which is purely vital and animal, regards life
rather as an attribute which is insufficient[139], as its unhappiness
and death, and, on the other, that it is in the living thing that it
triumphs over the elements of Nature and its confused reproduction.
Conversely, however, it is equally necessary for the Ideal of the
classic gods, not merely to stand over against Nature and its elemental
powers as individual spirit in its finite and abstract seclusion, but
to possess itself the elements of the universal natural life notionally
as a phasal moment in the vital constitution of Spirit. As the essence
of the gods is essentially _universal_, and in this very universality
they are defined as individuals, it follows also that the aspect of
their bodily presence must essentially include at the same time the
natural as the essential and wide-reaching power of Nature, and as
vital activity intertwined with spirituality itself.
In this respect we may differentiate the process of embodiment followed
by the classical art-form under the following points of view.
The _first_ concerns the degradation of that which is purely animal,
and the removal of the same from the sphere of free and pure Beauty.
The _second_ more important aspect is related to the elemental itself,
in the first instance conceived as gods put before us as powers of
Nature, through whose conquest alone the genuine race of gods can
attain to undisputed mastery, that is in the war between the ancient
and new gods. But this negative tendency becomes, then, in the _third_
place, after Spirit has secured its free right, to the same extent
once again an affirmative force, and elemental Nature constitutes an
aspect of godhead permeated with individualized spirituality in order
to re-establish even the animal organism, though here only of an
attributive and external sign. Following the above points of view we
will now, if still at no great length, endeavour to emphasize the more
definite traits, which here come under consideration.
1. THE DEGRADATION OF ANIMALISM[140]