The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
throat of a goat of Molassian pedigree and boiled as to one part the
only partially dead members; and as to the rest baked them on the fire,
and placed both portions before me to eat. Wherefore I, with avenging
flame, have laid his homestead in ashes. Affrighted he fled forth from
thence, and when he reached the silent field he broke forth: in howls
and strove in vain to utter speech. With rage in his jaws and in the
eagerness of his animal lust for murder he turned against the cattle,
and rejoices even now in their blood; his garments have become the
hairy hide, and his arms have turned into thighs. He is a wolf, and
preserves the signs of the primitive shape."
The tale of Procne, who was changed into a swallow, sets before us the
gravity of the committed abomination with a like emphasis. When, so the
tale runs[144], Procne begs of her husband, Tereus--she happened at the
time to stand in his favour--that he will, forthwith let her go to see
her sister or suffer her sister to visit her, Tereus hastens to launch
his vessel on the sea and quickly reaches the harbour of Piraeus with
his seamanship. He, however, barely catches sight of Philomela before
he is violently enamoured of her. At his departure Pandion, the father,
binds him on oath to protect her with the love of a father, and to send
back as soon as possible the alleviation of his old age. The voyage,
however, is hardly over when the barbarous man deprives her--pale,
trembling, already fearful of the worst, and beseeching with tears to
know where her sister is--of liberty, and as twin-consort forces her
to be his concubine along with her sister. Overcome with anger and
thrusting all sense of shame on one side, Philomela threatens of her
own accord to betray the deed. Tereus on this draws his sword, seizes
and binds her and cuts off her tongue, informs, however, his wife by
way of evasion of the death of her sister. Thereupon the sorrowing
Procne tears off the fine linen from her shoulders and puts on mourning
apparel; she raises an empty tomb and in a mode somewhat out of place,
as it happens, laments the lamentable fate of her sister. How then does
Philomela meet this? A prisoner, robbed of all speech, of her voice,
she bethinks her of craft. With threads of purple she works the news
of the crime upon a white texture, and sends the raiment secretly to
Procne. The wife reads the heartrending news of her sister; she neither
speaks nor weeps; she lives wholly in the image of revenge. It was the
time of the festival of Bacchus. Driven forth by the furies of her
passionate grief she forces her way to her sister; she tears her from
her chamber and carries her off with her away. Then in her own house,
while she still is in doubt what terrible act of vengeance she shall
exact on Tereus, Itys appears before his mother. She stares upon him
with eyes of wildness. How like he is to his father! No further word
she utters, but consummates at once the doleful deed. They slay the