The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
The second grade of more elevated rank we may contrast with the
degradation of the animal condition consists in this, that the genuine
gods of classical art, inasmuch as they possess for their content a
free self-consciousness, which we may define as the power of spiritual
individuality reposing on its own resources, are also able to be
represented as subjects of knowledge and volition, that is as spiritual
potences. For this reason the _humanity_, in the bodily form of which
they are presented us, is not, as one may say, a mere form, which is
girt about this content by virtue of the imagination under a mode of
purely external validity, but is rooted in the significance, content,
and ideal substance itself. The divine, however, generally speaking, is
essentially to be apprehended us unity of the natural and spiritual;
both sides are involved in the conception of the Absolute; and it is
merely the different mode, under which this harmony is conceived, which
constitutes from our present point of view the respective grades of
the various forms of art and historic religions. According to our own
Christian way of looking at it, God is the creator and lord of Nature
and the spiritual world, and therewith, no doubt, exempted from the
immediate and determinate existence of Nature, for the reason that,
before all else, he is very God as the taking back into Himself of his
own fulness, that is as absolute and self-dependent Spirit; it is only
the finite and human spirit which stands in opposition to Nature as
a limit and a bound, a limitation which such only thereby overcomes
in his determinate existence, and exalts himself intrinsically to
the grade of infinity in so far as he grasps Nature contemplatively
in thought, and in the actual world[152] consummates the harmony
between spiritual idea, reason, the Good and Nature. This infinite
actualization is, however, God, in so far as the lordship over Nature
is strictly due to Him, and He Himself is conceived as explicit in this
infinite activity, and the knowledge and volition of such realization.