The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_ββ_) But, further, it is not only that the forces of Nature belong
to this sphere of the old gods, but also the forces noted as earliest
over the elements. In particular the first active agency upon metal
through the force of what is still raw, and elementary Nature, that
is air, water, fire, is of importance. We may mention in illustration
the Corybantes, the Telchines, demons of both beneficent and evil
influence, the Pataeci, pygmies, dwarfs, cunning in the woodman's
craft, small, with big paunches.[158]
More prominent notice should be taken of Prometheus, as illustrating
in the chief place a fundamental point of new departure. Prometheus
is a Titan of exceptional type and deserves exceptional attention.
Together with his brother Epimetheus he appears in the first instance
as favourable to the young gods; then he stands out as the benefactor
of men, who in other respects have no defined relation with the new
gods or the Titans. He brings fire to man, and thereby supplies them
with the means of satisfying their needs and working the technical
arts, which are no longer, however, regarded as natural products, and
consequently it would appear do not stand in any closer association
with Titan workmanship. For this interference Zeus punishes Prometheus
until Hercules finally releases him from suffering. At the first
glance there would appear to be nothing strictly Titanesque in these
main features of the story; nay, it would not be difficult to point
out an inconsequence in the fact that Prometheus, just as Ceres, is
a benefactor of mankind, and is none the less numbered among the old
Titanic potencies. If we look at the matter more closely, however,
this inconsequence will at once disappear. In this connection several
passages from Plato's works will help us sufficiently to clear the
difficulty. There is the myth in which the guest-friend recites to
the younger Socrates that in the time of Kronos men originated from
the Earth, while the god, on his part, devoted his attention to the
whole[159]. After this step a movement of opposite tendency sprang up,
and the Earth was left to itself[160], so that now the beasts became
savage, and mankind, whose means of nourishment and all their other
needs had hitherto passed immediately into their hands, were left alone
without advice or assistance. Well, according to this myth, it was in
such a condition[161] that fire was brought to mankind by Prometheus,
all other accessories of craftsmanship being communicated by Hephaestos
and his companion in craftsmanship, Athene.