The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_ββ_) Just as, then, in the later gods, from one point of view the
universal elements of Nature are dethroned, while from another they are
maintained, we have the same process repeated in that which is, more
strictly speaking, animal, which we merely regarded in a former passage
on the side of its degradation. We are now able to point out a more
positive aspect under which such may be considered. Since, however,
in the classic gods the symbolic mode of configuration is abolished,
and they secure as their content the spirit that is self-luminous,
the symbolical _significance_ of animals must tend to pass away
precisely in proportion as the animal form has taken to itself the
right to mingle with the human under a mode naturally alien to it.
It will therefore appear merely as a significant attribute, and is
established in juxtaposition to the human form of the gods. Thus we
find the eagle as attendant on Jupiter, the peacock on Juno, the doves
as accompanying Aphrodite, the hound, Anubis, as watch-dog of the
lower world, and so forth. If, therefore, there is still a symbolical
aspect which attaches to the ideals of the spiritual gods, yet, if
contrasted with the original significance, it will appear of little
importance; and the natural significance, if strictly regarded, which
previously constituted the essential content, will merely persist as
a residue, and mere particular mode of externality, which, on account
of its accidental character, more often than not has a grotesque
appearance, for the reason that the former significance is no longer
there. Inasmuch as the ideal content of these gods is that which
partakes of Spirit and humanity, the externality pertinent to them
approximates to a _human_ contingency and weakness. In this connection
we may once more recall to memory the numerous love affairs of Zeus.
According to their original symbolic significance, they are related, as
we already have seen, to the universal activity of generation, that is,
the vitality of Nature. As the love affairs of Zeus, however, which,
in so far as his marriage with Here is to be regarded as the permanent
and substantive sexual relation, appear in the light of an infidelity
towards his spouse, they have the complexion of accidental adventures,
and exchange their symbolical sense for unconnected tales which possess
the character of purely capricious invention.