The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_γ_) And, _thirdly_, for the reason that the gods are not merely
stable existences in their own world, but also are active within the
concrete reality of Nature and human, events, the poet is further
concerned to recognize the presence and activity of the gods in this
relation to human, fact, to interpret, that is, the particularity of
natural event and human actions and destiny wherein the divine powers
are apparently interfused, and to share thus the duties of the priest
and the seer. We, from the point of view of our everyday prosaic
reflection, explain the phenomena of Nature according to universal laws
and forces, and interpret the actions of mankind as the product of
their subjective intentions and self-proposed aims. The Greek poets,
however, have their eyes everywhere directed toward the Divine, and
create, by giving to human activities the loftier colour and habit
of divine actions, and by means of such interpretation, the various
aspects under which the power of the gods is made visible. For a number
of such interpretations results in a number of actions, in which we
are made aware of the character of this or that god. We have but to
open, for example, the Homeric poems, and we shall scarcely meet with
a single event of importance which is not more closely elucidated as
proceeding from the volition or actual assistance of the gods. These
expositions are, in fact, the insight, the independently created
belief, the intuitive conceptions of the poet, just as Homer often,
too, gives expression to them in his own name, and in part also places
such in the mouth of his characters, whether priest or hero. Quite at
the opening of the "Iliad," for example, he has himself explained the
pestilence in the Greek camp as the result of the indignation of Apollo
over Agamemnon, who refused to release to Chryses his daughters[183];
and, in a passage that follows, he makes Calchas transmit this very
interpretation to the Greeks[184].
In a similar way Homer informs us in the concluding canto of the
"Odyssey"--on the occasion when Hermes conducted the shades of the
inanimate suitors to the meadows of Asphodel, and they find there
Achilles and the other deceased heroes, who fought before Troy, and
finally, too, Agamemnon joins them--how the last-mentioned describes
the death of Achilles[185]: