The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
As individuality in visible form, represented under the mode of
immediate existence, and withal both definite and particular, godhead
necessarily is divided into a number of figures. In other words,
Polytheism is unquestionably essential as the principle of classical
art, and it would be the undertaking of a fool to think of embodying
the one God of the Sublime and of Pantheism or the absolute religion,
which comprehends God purely as Spirit and essential personality, in
the plastic type of beauty, or to entertain the idea that the classical
forms could have arisen among the Jews, Mohammedans, or Christians,
as adapted to the content of their religious beliefs, from their own
original views of the world, as they did in the case of the Greeks.
(_a_) In this multiplicity the divine universe[192] at this stage
is broken up into a sphere of particular gods, of which each
individual stands by himself alone in contrast to all the others.
These individualities are not, however, of the kind that they can be
taken merely as allegorical presentations of universal qualities, as
if Apollo, for example, were the god of wisdom, Zeus of dominion.
Zeus is also quite as much wisdom, and in the "Eumenides" Apollo, as
we have seen, protects Orestes, the son and the royal son to boot,
whom he himself has stimulated to an act of vengeance. The sphere
of the Greek gods is a multiplicity of individuals, of which every
particular god, albeit also in the specific character of a particular
person, is at the same time a self-exclusive totality, which itself
possesses essentially also the quality of another god. For every such
presentment, viewed as divine, is always, too, a whole. It is only by
this means that the divine personalities of Greek religion include an
abundance of traits; and although their blessedness consists in their
universal and spiritual self-repose no less than in their abstraction
from the direct movement which Time is for ever defeating in the sphere
of the disintegrating manifold of natural fact and condition, yet for
all that they possess the power in a like degree to assert themselves
as energetic and active in many of its aspects. They are neither the
abstract particular nor the abstract universal, but the universal which
is the source of particularity.