The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_c_) When we consequently consider the circle of the Greek
divinities--that is all within the range of the so-called presiding
divinities--more nearly according to their fundamental character,
inquiring how that character appears firmly delineated by sculpture
in its most general and at the same time sensuously concrete
presentment, we find no doubt the essential distinctions and their
totality explicitly set before us, but also in their detail also
ever again obliterated, and the severity of the execution tempered
to a result which is inconsistent with either their beauty or their
individuality. So for example Zeus bears in his hands the dominion
over gods and men, without, however, thereby essentially endangering
the free independence of the other gods. He is the supreme god; his
power, however, does not absorb that of the others. We find in the
conception of him no doubt an association with the heavens, with
lightning and thunder, and the generative vitality of Nature; but he
is yet more truly the might of the State, of the order of fact which
is conformable to law, the binding nexus in contracts, oaths, and
hospitality, and generally the substantial bond that gives subsistence
to the human condition, whether in its practical or ethical aspect,
the potency, in short, both of knowledge and spirit. The dominion of
his brothers is directed toward the sea or the lower world. Apollo is
known as the god of knowledge, as the mouthpiece and fair presentment
of spiritual interests, as the teacher of the Muses. "Know thyself"
is the inscription over his temple at Delphi, a behest which is not
so much concerned with the failings and defects, as the essential
import of spirit, that is with art and the truth of consciousness.
Subtlety and eloquence, mediation in fact generally as we also find
it in subordinate spheres, which, albeit immoral elements are therein
commingled, nevertheless are appurtenant to the complete range of
spiritual life--such is the most important province of the activity
of Hermes, who also leads the shades of the dead to the underworld.
The might of war is what mainly distinguishes Ares. Hephaestos is
conspicuously capable in the technical crafts. The enthusiasm which
still carries with it a natural element, the strong emotions which
wine, sport, and dramatic performances naturally produce are the native
province of Dionysos. The spheres allotted to the feminine divinities
very much correspond to the above series. In Here the ethical bond of
marriage is the most dominant trait. Ceres is the instructress and
developer of agriculture, and as such has presented mankind with both
those adjuncts to its cultivation, that is to say, first, the care for
the nurture of natural products, which satisfy man's immediate wants,
and, secondly, the spiritual accessories of property, marriage, right,
the beginnings of civilization and moral order. In the same way Athene
is the representative of moderation, good sense[194], legality, the