The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_a_) We are therefore at once confronted with the question: "From
what source is the _material_ secured for this mode of the appearance
of singularity, and in what manner is this forward process of
particularization maintained?" For the ordinary individual man, for
his character out of which he brings his actions to a conclusion, for
the events in which he is involved, for the destiny which awaits him,
this closest and more positive material is supplied by his external
conditions, such as the date of his birth, the situation he inherits,
parents, education, environment, temporal relations, the entire
province, that is, of the conditions of his life as they affect his
spiritual nature or bodily existence. The present world contains this
material, and the records of life furnished by different individuals
are from this point of view characterized by every conceivable
difference. It is another matter altogether, however, with the free
shapes of godlike individuality, which possess no determinate
existence in the concrete world of Nature, but have their birth in
the cradle of the imagination. For this very reason it is an obvious
assumption that poets and artists, who, speaking in general terms,
have created the Ideal out of their free spiritual bounty, have merely
borrowed the material for these accidental particular traits from the
caprice of their own innate powers of imagination. This assumption is,
however, false. For we assigned in general terms to classical art, the
position that its construction in the first instance is, by means of
the reaction active in its opposition to the assumptions necessarily
requisite to its own peculiar province, carried forward to that which
as genuine Ideal it is. It is from these presuppositions as their
source that the specific traits of particularity are to be looked
for, which supply to the gods their closer individual vitality. The
fundamental features of these assumptions have already been submitted,
and we have only here to remind our readers shortly of what has been
already advanced.