The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
revealing itself verily therein under the mode of actual divine
subjectivity; rather the very Absolute unfolds itself, and takes to
itself an aspect, relatively to which it is also within the grasp and
presentation of art.
The determinate existence of God, however, is not the natural and
sensuous in its simplicity, but the sensuous as brought home to that
which is not sensuous, in other words to the subjectivity of mind
which, instead of losing the certainty of its own presence as the
Absolute, in its external envisagement, for the first time, and by no
other means than this its reality, is made aware of its actual presence
as such. God in His Truth is consequently no mere Ideal begotten of the
imagination, but He declares Himself in the heart of finite condition
and the external mode of contingent existence, and is, moreover, made
known to Himself therein as divine subjective life, which maintains
itself there as essentially infinite and creating this infinity for
itself. Inasmuch, then, as the actual subject[209] is the manifestation
of God, Art for the first time secures the superior right to apply
the human figure and its mode of externality generally as a means to
express the Absolute, although the new function of art can only consist
in making the external form not a means whereby the ideality of man's
inward condition is absorbed in exterior bodily shape, but rather
conversely to make the consciousness of the Divine mind visible in the
subject of consciousness. The distinguishable phases, which combine to
make up the totality of this apprehension of the world-condition as,
that is to say, the concrete totality of truth, are consequently made
manifest to mankind from this point onwards under such a mode that
it is neither the Natural in its simplicity, such as sun, heavens,
stars, and so forth, nor the Greek conclave of the gods of beauty, nor
the heroes and practical exploits in the field of the family cultus
and political life--it is neither one nor any of these which supplies
us with either content or form. Rather it is the actual and isolated
individual subject who receives in the inward[210] substance of his
living experience this infinite worth, for it is in him alone that the
eternal characters of absolute Truth--which is made actual only as
Spirit--expand out of their fulness within, and are concentrated to the
point of determinate existence.