The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
Now the kind of _configuration_ which is implied by the notion of
that which generally constitutes the _fundamental significance_ in
symbolism, may be described in the following terms, namely, we find in
it that the definite forms of Nature, human activities and so forth,
neither--to express one aspect of it--represent or signify merely
themselves severally in their isolated natural characteristics, nor--to
emphasize the other aspect--bring their immediate form to consciousness
as the Divine actually visible to sense. They are rather employed to
_suggest_ that same Divine through qualities which they possess cognate
with a significance of more comprehensive range. For this reason it is
just that universal dialectic of Life, its origin, growth, collapse
in and awakening from Death, which also in this connection supplies
the appropriate content for the true symbolic type; and this is so
because we find in almost every province of natural and spiritual
life certain phenomena, which presuppose this process as the basis of
their existence, and consequently can be utilized as means of giving a
visible body to such significant aspects and of pointing by suggestion
to the same, a real affinity being actually inherent between the two
sides. Thus plants spring from their seed, sprout, grow, bring forth
fruit; the fruit corrupts and produces fresh seed. In the same way the
sun rises to a low elevation in winter; in Spring he mounts on high,
until we have his meridian reached in summer; it is then that he pours
forth his richest blessing or exerts the greatest destructive force;
after that he inclines once more towards the horizon. The various
stages of human life, too, childhood, youth, maturity, and old age,
illustrate precisely the same universal process. But in a special sense
specific localities such as the Nile-valley are adapted to the closer
particularization in the direction indicated.
In so far, then, as that which is purely fantastic is displaced by
these more fundamental traits of affinity and the more intimate
applicability of the expression to the import it expresses there arises
a thoughtful process of selection with reference to the comparative
congruity or incongruity of the symbolizing forms, and the intoxicated
eddy to and fro which prevailed is laid to rest in a more intelligent
circumspection.