The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Georg Hegel · en
3. This recognition of the nullity of objective fact and the exaltation
and extolment of God are at this stage the source of man's _own_
self-respect, and in these he looks for his own consolation and
satisfaction.
(_a_) In this connection the Psalms supply us with classical examples
of the genuine Sublime, and are set forth as a precedent for all
times of what our humanity at the highest point of its spiritual
exultation has superbly expressed as the reflection of its religious
consciousness. Nothing in the world can here make good its claim to
independent subsistence, inasmuch as everything exists and subsists
simply through the Power of God, and only exists as in duty bound to
extol His mightiness no less than to acknowledge its own essential
nothingness. In the imagination of pantheism, which mainly unfolded in
the direction of material substance an infinite _extension_ of range
was most remarkable: what we most are amazed at here is the power of
spiritual exaltation which suffers everything else to fall away that
it may declare the unique Almightiness of God. An extraordinarily
forceful illustration of this temper is the 104th Psalm, "The Light is
Thy mantle which Thou wearest; Thou spreadest out the heavens like a
carpet, etc." Light, heavens, clouds, the pinions of the winds, each
and all are here nothing by themselves, merely an external vesture, the
chariot or messenger in the service of God. A further expansion of the
same idea is the extolment of the Wisdom of God, which has ordained
all things. The springs, which leap from their sources, the waters,
which flow between the hills, by the banks of which the birds of the
air sit and carol among the branches; the grassy vine, which gladdens
the heart of men and the cedars of Lebanon which the Lord hath planted;
the sea, and its swarms without number; the whales which sport therein,
all these hath the Lord made. And all that God has created He also
preserves. "Thou hidest Thy Face, and they are affrighted; Thou takest
their breath away and they are gone and become again as dust." The 90th
Psalm, that prayer of Moses, the man of God, insists expressly on the
nothingness of man, where we read: "Thou sufferest them to pass away
like a brook; they are like as a sleep, even as the grass, which is
soon withered, and in the evening is cut down and dried up. Thy scorn
maketh us to pass away; Thou showest Thine anger and we are gone."
(_b_) Two ideas are therefore associated together with the Sublime,
if viewed in its relation to the human soul, first, that of man's
finiteness, and secondly, that of the insurmountable aloofness of God.