The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Georg Hegel · en
Accessories such as these, among which I have here, of course, only
adduced the most famous examples, are an exceptional stimulus to the
acuteness and learning of our professors, and carry them into a kind of
commerce in trifles, which too frequently leads them out of bounds, and
finds significance in things where there is really none. As an example
we are assured that two famous sleeping female figures in the Vatican
and the Villa Medici are representations of Cleopatra, simply because
they have a bracelet in the shape of a viper, and to the vision of
such archaeologists a serpent at once suggests the death of Cleopatra,
much as it would suggest to a pious father of the church the original
serpent who seduced Eve in Paradise. It was, however, a prevailing
custom for Greek women to wear bracelets in serpent coils, and such
bracelets in fact were called by that name. Consequently the just
sense of Winckelmann[176] has long ago rejected this interpretation,
and Visconti has finally recognized[177] them as figures of Ariadne,
as she at lasts sinks to sleep after her sorrow at the departure of
Theseus. Although in uncounted cases acuteness of this quality shows
itself at fault in dealing with detail of this kind, and makes itself
appear contemptible in its departure from such insignificant facts, yet
unquestionably both research and criticism of apparently unimportant
facts are necessary, because it is only thereby that we can arrive at
the closer determination of a figure. Yet even here the difficulty
crops up, that attributes no less than form, do not in all cases point
our conclusions to one god, but may be shared in common by several.
We have the vase, for example, not only associated with Jupiter,
Apollo, Mercury, Aesculapius, but also with Ceres and Hygiaea. Several
goddesses receive the ear of corn; we find the lily in the hand of
Juno, Venus, and Hope; and even the lightning is not the exclusive
possession of Zeus, for it is shared by Pallas, who on her part again
does not alone carry; the Aegis, but on equal terms with Zeus, Juno,
and Apollo[178]. The source of the individual deities from a general
significance of less determinate character which, they share itself is
associated with ancient symbols, which were appertinent to this more
general and consequently more widely shared nature.