[Footnote 177: Mus. Pio-Clement. Tom. 2, pp. 89-92.] [Footnote 178: Winck., vol. II, p. 491.] [Footnote 179: Vol. IV, bk. 5, ch. I, § 29.] [Footnote 180: I am not sure what is exactly meant by _gekrümmt_ here. The description is not very lucid.] [Footnote 181: IV, 5, 2, § 10.] [Footnote 182: Winck., vol. VII, p, 78.] [Footnote 183: Winck., vol, VII, p. 80.] [Footnote 184: Vol. IV, p. 78.] [Footnote 185: Vol. II, § I.] [Footnote 186: Winck., vol. IV, p. 116.] [Footnote 187: Such is, I think, the general meaning, though the literal translation of the words _als den Figuren sämmtlich die Einfachheit abgeht_ is not quite clear. I take the word _sämmtlich_ to mean "taken collectively as separate units."] [Footnote 188: Winck., Werk., vol. V, p. 389. Anmerk.] [Footnote 189: Meyer's _Gesch. der bild. Künste bei den Griechen_, vol. I, p. 60.] [Footnote 190: Pausanias, II, 30.] [Footnote 191: I presume this is the meaning of _Bildnerei._] [Footnote 192: I am not sure whether _Angaben_ refers to actual sketches, or merely other evidence handed down.] [Footnote 193: In the year 1829.] [Footnote 194: That is in the accuracy of mechanical line as the result of machine.] [Footnote 195: _Sanftes Verlaufen, i.e._, passage from one plane surface to another. _Zusammen-stossen_ appears to me the melting together of lines, _i.e._, conjunction, fusion.] [Footnote 196: Meyer's _Gesch._, vol. I, p. 279.] [Footnote 197: Vol. III, Vorr. XXVII.] [Footnote 198: That is in 1821.] [Footnote 199: _Statarischen_, scholastic, eclectic.] [Footnote 200: "De Leg.," Lib. II, ed. Bekk., III, 2, p. 239.] [Footnote 201: Herod, II, _c._ 167.] [Footnote 202: Vol. III, bk. 2, ch. I, p. 74.] [Footnote 203: Vol. III, bk. 2, ch. 2, pp. 77-84.] [Footnote 204: "Cours d'Archéologie par Raoul-Rochette, 1-12me leçon," Paris, 1828.] [Footnote 205: I am not sure if this rightly gives the sense of the words _Die Gestalten bei strenger Zeichnung gedrungen._] [Footnote 206: Ueber die Aeg. Bildwerke mit kunstgesch. Anmerk. von Schelling, 1817.] [Footnote 207: That is, it does not approach Egyptian type so nearly.] [Footnote 208: Hegel's words mean this, I suppose, though the German is somewhat compressed and not very clear as it stands.] [Footnote 209: Vol. III, ch. 2, § 10, p. 188 and Pl. VI, A.] [Footnote 210: Hegel uses the unusual word _Begeistigung_, I presume somewhat in the sense of _Begeisterung_, signifying the personal inspiration of the artist.] [Footnote 211: This appears to be the meaning of the difficult phrase that sculpture supplies _das gesammte Daseyn_, _i.e._, is the affiliating link of the collective body. All the different arts are stamped with its characteristics.] [Footnote 212: I presume the Pietà in St. Peter's.] [Footnote 213: Hegel's "Vermisch. Schriften," vol. II, p. 561.] SUBSECTION III THE ROMANTIC ARTS