The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Georg Hegel · en
them, or columns of spiral form were permitted no doubt on similar
grounds; this, however, is inadmissible and opposed to the best taste,
because the true function of the column is simply that of support,
and to carry this out they ought to rise in a secure and straight
line and be self-subsistent[94]. The only divergency from the rule in
columnar structure which the ancients admitted was that of the groove,
a variation which, as Vitruvius points out, made such appear broader
than when their surface is wholly smooth. Such grooving we find carried
out very extensively.
I will now indicate more closely the main distinguishing features of
the Doric, Ionian, and Corinthian order of columns respectively.
(_α_) In primitive buildings _security_ of structure is the fundamental
characteristic beyond which architecture fails to go; consequently
it does not as yet dare to risk relations of a slender kind with the
bolder lightness which belongs to them, but rests satisfied with forms
of greater bulk. This is the case in the Doric type of building. We
find here that the material aspect with its onerous weight still
is that which is most influential, and is particularly apparent in
the relations of breadth and height. When a building is erected in
lightness and freedom the burden of heavy masses is overcome; if on the
contrary its disposition is one which suggests mainly breadth and a low
elevation the prevailing impression, as in the Doric style, is that of
stability and solidity, subservient to the dominant force of gravity.