The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
vindicated in such, but also and above all from false aesthetic theory
and predilection, at least if we are really anxious to enjoy and study
the original world-outlook of nations, that great and spiritual[22]
natural history. We have every reason to congratulate recent times,
and our German nation in particular, that it is now on the road to
the attainment of this object; that it has, in short, broken through
the former obtuseness, of ordinary methods of thinking, and by its
liberation of the mind from restricted views made it more receptive
to ideas of the world which it is imperative that we as individuals
enter into, and which alone are able to restore to us, to the full
extent of their claim, the resurrected spirits of nations, whose ideal
significance and deed thus appear struck into life in these their own
Epopees.
(_c_) _The Epos as Unified Totality_
Hitherto, in considering the necessary qualifications of a genuine
Epos, we have on the one hand discussed the _general_ world-environment
and from a further point of view the nature of the particularized event
transacted on such a background by _individuals_ either acting under
the direction of gods or subject to destiny. These two fundamental
aspects have yet further to coalesce in one and the same epic totality.
In respect to this I will merely confine the reader's attention to the
following points of interest:
In the _first_ place we propose to consider the _collective aggregate
of objects_, a satisfactory exposition of which is necessary to
disclose the connection between the particular action and the
substantive ground referred to.
_Secondly_, we have to examine the nature of the difference which
obtains between the epic mode of _disclosure_ and that of lyric or
dramatic poetry.
_Thirdly_, we have to deal with the _unity_ in which an epic composition
is rounded off despite all its breadth of extension.
(_α_) The content of the Epos, as already observed, is the entirety of
a world in which an individual action is eventuated. In such a world
the greatest variety of objects appear necessarily appertinent to the
general views, deeds, and conditions of such a world.