The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
with the previous events, and contribute to the supreme and satisfying
beauty of the narrative's conclusion.
(_γγ_) Inasmuch, however, as we have attempted above to make a
specifically individual action, which issues in accordance with a
deliberate purpose or heroic impulses, conform to the type of an epic
whole in which focal points are ascertainable that bind it together
and round off its completeness, the view is at least possible that
we have made the _unity_ of the Epos too nearly identical with that
of the _drama._ For in the drama also it is _one_ particular line of
action issuing from self-conceived purpose and character with its
conflict which constitutes the focal centre. In order, therefore,
not to involve these two types of poetry, the epos, that is, and the
drama, in confusion, though the confusion merely appear to be such, I
will yet again draw the reader's attention emphatically to my previous
explanation of the distinction between human action and event. And
quite apart from this the epic interest is not simply confined to
those characters, objects, and situations which have their ground
in the particular action as such, whose progress is the subject of
the epic narrative, but this action possesses the further stimulus
to its opposed factors and their resolution, and in fact is directed
throughout its course and exclusively within a _national_ and
_collective whole_, or substantive content, which claims on its own
account to assert a variety of characters, conditions, and events. In
this respect the final consummation of the Epos does not merely consist
in the particular content of the predominant action selected, but quite
as much in the entire synthesis of the _general world-survey_ whose
objective reality it undertakes to depict; in fact, the epic unity is
only then fully complete when the particular action, from one point of
view no doubt, in its independent character, but also from another,
regarded in its progression as the essentially rounded world within
the sphere of which it moves, is placed before us as one indissoluble
totality; and both of these spheres, or aspects of one sphere, repose
together in the mediating fulness and unimpaired unity of very life.
Such, then, are the most essential characteristics we find it possible,
within the limits accepted, to draw attention to in respect to the
genuine Epos.