The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_γγ_) Finally Epic poetry of a still later date after the time of
Alexander either turns aside to the more limited province of bucolic
poetry, or introduces more learning and artifice than is compatible
with the truly poetic Epopaea being at last wholly didactic, a type
which increasingly suffers to escape every vestige of the primitive
freshness, simplicity and animation.
(_β_) This characteristic, with which the Epos of the Greeks
terminates, is from the first predominant among the _Romans._ An epic
Bible, such as are the Homeric poems, we shall therefore seek for here
in vain, however much critics have attempted, even quite recently, to
resolve the most ancient Roman history into national Epopaea. On the
other hand, even from the earliest times, along with genuine epic art,
of which our finest extant example here is the Æneid, the historical
Epos and the didactic poem supplies us with a proof that it is the
Romans who are mainly responsible for the elaboration of that province
of poetry which is already half prose; just as also it was in their
hands that the _satire_ received its most perfect form, being also that
most congenial to their character.
(_c_) For this reason epic poetry could only be infused with a fresh
breath and spirit through a change in its outlook on the world and in
its religious belief, and through the actions and destinies of new
nationalities. This is what we have in the case of the _Germans_,
not only as we see them in their primitive paganism, but also after
their conversion to Christianity. It may be further illustrated by
the Romance nations and all the more strongly, in proportion as their
subdivision into groups is more complete, and the principle of the
Christian view of life and reality is unfolded in all its various
phases. Yet it is precisely this many-sided expansion and subdivision
which oppose to a brief survey great difficulties. I will consequently
only draw attention to and emphasize fundamental tendencies.
(_α_) In our _first_ group we may reckon the residue of genuine poetry,
which later nationalities have still retained from an age previous
to Christianity, for the most part by means of oral tradition, and
consequently not wholly unimpaired.